Cathy Marston has previously been an Associate Artist of the Royal Opera House and Director of Bern Ballett, and is much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. Jerome Robbins’s elegant and elegiac classic forms the second part of the programme. This exercise in pure dance for five couples, set to music by Chopin, is a masterpiece of subtlety and invention.
Generous philanthropic support from
The Taylor Family Foundation, Julia and Hans Rausing, The JP Jacobs Charitable Trust and The New Choreography Syndicate.
The Cellist – Generous philanthropic support from
Sir Lloyd and Lady Dorfman, Simon and Virginia Robertson, Victoria Robey OBE, Sue Butcher and the Young Philanthropists.
There is lift access and step-free seating to most levels of the Main Stage auditorium, except the Orchestra Stalls, which are reached by a minimum of nine steps. There are more than 100 seats in the Stalls Circle, Balcony and Amphitheatre which are accessible without the need to negotiate steps. In addition, many seats in these areas and in the Donald Gordon Grand Tier and Orchestra Stalls are accessible by 10 steps or fewer. Find out more about accessing the Main Stage Auditorium.