Striking Japanese-inspired imagery in Madama Butterfly ©2015 ROH. Photographed by Bill Cooper

Madama Butterfly

22 June17 July 2020
The performance lasts about 2 hours 45 minutes, including one interval
Main Stage
Opera and music

Giacomo Puccini was entranced by David Belasco’s play Madame Butterfly (based on a popular short story by John Luther Long) when he saw it in London in 1900. He harnessed the talents of librettists Luigi Illica and Giuseppe Giacosa (with whom Puccini had created La bohème and Tosca) to adapt Cio-Cio-San’s tragic tale for the operatic stage. Although the premiere at La Scala, Milan, in 1904 was poorly received, that same year Puccini revised and restaged the opera for performances in Brescia, to great acclaim. Madama Butterfly quickly became a hugely popular opera with performers and audiences alike, and remains one of Puccini’s most performed works.

Puccini drew on Japanese folk melodies for the score, one of his most evocative and atmospheric. In Act I, Cio-Cio-San expresses her radiant happiness in ‘Ancora un passo’, and the two lovers rapturously declare their love for each other in the passionate duet ‘Viene la sera’. In Act II the mood becomes increasingly strained, as in ‘Un bel dì vedremo’ when Cio-Cio-San longs for the ‘fine day’ when her husband will return to her. The romantic exoticism of 19th-century European images of Japan – an integral part of Madama Butterfly’s character – inspire Moshe Leiser and Patrice Caurier’s elegant production for The Royal Opera.

Language
Sung in Italian with English surtitles
Thanks to

Position of Music Director Maestro Antonio Pappano generously supported by Mrs Susan A. Olde OBE

Marina Hobson OBE and The Royal Opera House Endowment Fund

A co-production with

Gran Teatre del Liceu, Barcelona

Synopsis

Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return.

Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.

Cast

Cast may vary depending on date. Go to dates and prices to view casting.

Creatives

Accessibility

There is lift access and step-free seating to most levels of the Main Stage auditorium, except the Orchestra Stalls, which are reached by a minimum of nine steps. There are more than 100 seats in the Stalls Circle, Balcony and Amphitheatre which are accessible without the need to negotiate steps. In addition, many seats in these areas and in the Donald Gordon Grand Tier and Orchestra Stalls are accessible by 10 steps or fewer. Find out more about accessing the Main Stage Auditorium.

Access