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THE ROYAL BALLET

Director

Kevin O'Hare CBE

Founder

Dame Ninette de Valois OM CH DBE

Founder Choreographer

Sir Frederick Ashton OM CH CBE

Founder Music Director

Constant Lambert

Prima Ballerina Assoluta

Dame Margot Fonteyn DBE

Exceptional philanthropic support from

Royal Opera House Principals Julia and Hans Rausing

Season Principal Aline Foriel-Destezet

Generous philanthropic support from Aud Jebsen, Sir Lloyd and Lady Dorfman OBE, Kenneth and Susan Green, The Paul Ferguson Memorial Fund, Melinda and Donald Quintin, The Patrons of Covent Garden and The American Friends of Covent Garden

Original Production (1974) made possible by The Linbury Trust

The role of Manon is generously supported by Sarah and Anthony Gutman

The 2023/24 Royal Ballet Season Generously supported by Aud Jebsen

The performance on Friday 8th March 2024 marks the final performance with The Royal Ballet for Principal dancer Alexander Campbell before he takes up the position of Artistic Director at the Royal Academy of Dance.

Manon

BALLET IN THREE ACTS

05.03.2024 19:30

The 312th performance by The Royal Ballet at the Royal Opera House.

APPROXIMATE TIMINGS

The performance lasts about 2 hours 45 minutes, including two intervals.
Act I
40 minutes
Interval
25 minutes
Act II
45 minutes
Interval
25 minutes
Act III
30 minutes

GUIDANCE

Suitable for ages 14+

This production contains scenes of an adult nature, including sexual violence. There is a gunshot approximately 42 minutes into Act II.

CREDITS

Choreography
Kenneth MacMillan
Music
Jules Massenet
Orchestrated by
Martin Yates
originally compiled by Leighton Lucas with the collaboration of Hilda Gaunt
Designer
Nicholas Georgiadis
Lighting Designer
Jacopo Pantani
Staging
Laura Morera
and Artistic Supervisor for the MacMillan Estate
Rehearsal Director
Christopher Saunders
Répétiteurs
Deirdre Chapman and Helen Crawford
Principal coaching
Alexander Agadzhanov, Leanne Benjamin, Alessandra Ferri, Edward Watson and Zenaida Yanowsky
Benesh Choreologists
Daniel Kraus and Gregory Mislin

CAST

Manon
Melissa Hamilton
Des Grieux
Calvin Richardson
Lescaut
James Hay
Monsieur G.M.
Christopher Saunders
Lescaut’s Mistress
Meaghan Grace Hinkis
Madame
Kristen McNally
The Gaoler
Lukas B. Brændsrød
Beggar Chief
Joshua Junker
Courtesans
Mica Bradbury, Hannah Grennell, Sae Maeda, Yu Hang
Gentlemen
Harry Churches, Taisuke Nakao, Giacomo Rovero
Clients
David Donnelly, Kevin Emerton, Aiden O'Brien, Francisco Serrano, Thomas Whitehead
Old Gentleman
Philip Mosley
Conductor
Koen Kessels
Concert Master
Magnus Johnston
Orchestra
Orchestra of the Royal Opera House

Harlots, Innkeeper, Skivvies, Actresses, Beggars, Townspeople, Ratcatcher, Servants, Guards and Footmen Artists of The Royal Ballet

Students of The Royal Ballet School appear by kind permission of the Artistic Director Christopher Powney

SYNOPSIS

ACT I

Actresses, gentlemen and the demi-monde from Paris gather at the courtyard of an inn near Paris. Among them are Des Grieux (a young student), the wealthy Monsieur G.M. and Lescaut, who is there to meet his sister Manon on her way to enter a convent. During the hustle and bustle of arrivals and introductions, a beggar steals a watch from Monsieur G.M. and celebrates gleefully before its loss is discovered and Lescaut has to intervene to save him from punishment. Soon afterwards, Manon arrives with an Old Gentleman who is obviously attracted to her. Lescaut notices the Old Gentleman’s interest and takes him into the inn to come to an arrangement over Manon. Manon remains outside and meets Des Grieux. He is entranced by her. They fall in love and decide to escape to Paris with the help of the money that she has stolen from the Old Gentleman. Lescaut and the Old Gentleman come out of the inn, having made a bargain, and to their dismay see that Manon has disappeared. Monsieur G.M. tells Lescaut that he too is interested in Manon and, because of G.M.’s wealth, Lescaut promises to find Manon and persuade her to accept him.

Des Grieux and Manon are at his lodgings in Paris. He is writing a letter to his father. Manon interrupts by declaring her love for him. Des Grieux goes to post the letter and in his absence Lescaut arrives with Monsieur G.M.. Manon quickly yields to G.M.’s advances. When Des Grieux returns, Lescaut persuades him that there will be great wealth for all of them if he will sanction the liaison between G.M. and Manon.

ACT II

Manon arrives at the party given by Monsieur G.M. at Madame’s hôtel particulier. She is clearly torn between the wealth of her companion and her love for Des Grieux, who is there with Lescaut. Des Grieux tries to persuade Manon to leave with him but she tells him that the time is not right and will be only when he takes more of Monsieur G.M.’s money at cards. Des Grieux is caught cheating and he and Manon rush away. Back in Des Grieux’s lodgings, he and Manon once again declare their love. Monsieur G.M. arrives with the police and Manon is arrested as a prostitute. In the ensuing struggle, Lescaut is killed.

ACT III

The Gaoler of the penal colony awaits the arrival of the convicts from France at the port.

Manon has been deported to America as a prostitute and Des Grieux has followed her there by pretending to be her husband. The Gaoler sees them together and turns his interest towards Manon.

The Gaoler has arrested Manon but takes her to his room and offers her rewards in the hope that she will desert Des Grieux and live with him. Des Grieux breaks in and kills the Gaoler.

Manon has escaped with Des Grieux into the swamp of Louisiana to elude their pursuers. All her former ambitions of wealth and splendour have been renounced for her love of Des Grieux. Manon collapses and dies in Des Grieux’s arms.

THE ROYAL BALLET

Music Director

Koen Kessels

Resident Choreographer

Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is still our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate