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THE ROYAL OPERA

Music Director

Sir Antonio Pappano CVO

Director of Opera

Oliver Mears

Exceptional philanthropic support from

Royal Opera House Principals Julia and Hans Rausing

Generous philanthropic support from The Foyle Foundation

Co-production with Teatro Real, Madrid, and Lyric Opera of Chicago

Libretto after Henri Murger’s novel Scènes de la vie de Bohème

La bohème

OPERA IN FOUR ACTS

31.01.2024 19:30

The 694th performance by The Royal Opera at the Royal Opera House.

APPROXIMATE TIMINGS

The performance lasts about 2 hours 35 minutes, including one interval.
Act I
40 minutes
Act II
20 minutes
Interval
30 minutes
Act III
30 minutes
Act IV
35 minutes

GUIDANCE

Content suitable for all. We cannot admit children under the age of 5.

Children under the age of five are not permitted into our auditoria. Children over five must have their own ticket and sit next to an accompanying adult.

CREDITS

Music
Giacomo Puccini
Libretto
Giuseppe Giacosa and Luigi Illica
Director
Richard Jones
Revival Director
Simon Iorio
Designer
Stewart Laing
Lighting Designer
Mimi Jordan Sherin
Movement Director
Sarah Fahie
Revival Movement Director
Danielle Urbas

CAST

Conductor
Keri-Lynn Wilson
Marcello
Mikhail Timoshenko
Rodolfo
Saimir Pirgu
Colline
Alexander Köpeczi
Schaunard
Hansung Yoo
Benoît
Jeremy White
Mimì
Ruzan Mantashyan
Parpignol
Nicholas Sharratt
Musetta
Lauren Fagan replaces Danielle de Niese
Alcindoro
Eddie Wade
Customs Officer
Dominic Barrand
Sergeant
Thomas Barnard
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding

Christmas Eve revellers, Bohemians, waiters, street sweepers, milkmaids, peasant women, children

Actors Paul Dennison, Jamie Francis, Nicholas Frentz, Richard Gittins, Glody Kinkiani, Anthony Kurt-Gabel, Andrew Leishman, Danielle Meehan, Davy Quistin, Xolisweh Richards, Sebastian Rose, Timo Willman

With special thanks to The Cardinal Vaughan Memorial School and The Grey Coat Hospital School

Extra Chorus

Sopranos Celeste Gattai, Alison Rayner, Rosalind Waters, Carleen Ebbs

Mezzo-Soprano Jennifer Westwood, Tamsin Dalley, Maria Jones, Clare McCaldin

Tenors Andrew Friedhoff, Jonathan English, Andrew Mackenzie-Wicks, Andrew Busher

Basses James Birchall, Gavin Horsley, Simon Preece, Jonathan Wood

SYNOPSIS

The opera is set in Paris

ACT I: An attic in the Latin Quarter, Christmas Eve

Rodolfo and Marcello complain about the bitter cold. They need to light their stove: Marcello suggests using a chair, but Rodolfo offers the manuscript of the play he is writing. Colline arrives and the remaining acts of the play are burnt.

Schaunard arrives with wood, food and wine. He explains that an Englishman engaged him to play his violin to hasten the death of a parrot. The friends decide to go and eat in the Latin Quarter but are interrupted by Benoît, their landlord, who has come for the rent. They ply him with wine and Benoît boasts of his sexual prowess. The bohemians pretend outrage at Benoît’s immorality and push him out.

Marcello, Colline and Schaunard head to Café Momus, leaving Rodolfo behind to finish an article. There is a knock at the door. It is a girl who asks for a light for her candle. She feels faint from climbing the stairs. As she is leaving her candle flickers out again and she realizes that she has lost her key. Rodolfo’s candle also goes out and they search for her key in the moonlight. Rodolfo takes the girl’s icy hand and tells her of his life as a poet. The girl tells him her name, Mimì, and describes her simple life as a flower embroiderer. Schaunard, Colline and Marcello shout up to Rodolfo to hurry. Mimì asks if she may join them at the Café Momus. Rodolfo suggests they might stay in, but eventually they leave together singing of their love.

ACT II: The Latin Quarter

Rodolfo and Mimì wander through the Christmas Eve crowds. Rodolfo introduces Mimì to his friends. When Mimì shows her new friends the bonnet Rodolfo has brought her, Marcello expresses cynicism about romance.

As they propose a toast, Marcello’s ex-girlfriend Musetta appears, accompanied by Alcindoro, her rich admirer. Agitated at being ignored by Marcello, Musetta launches into a song – to provoke and seduce him. She complains of a painful foot and dispatches Alcindoro to buy new shoes. The bill for supper arrives, but the bohemians have already spent their money. Musetta places their bill on Alcindoro’s plate. A marching band arrives, and the bohemians leave with Musetta. Alcindoro returns and is presented with the bill.

INTERVAL

ACT III: Outside the Barrière d’Enfer

Workers arrive from out of town to enter the city. From inside a tavern comes the voice of Musetta. Mimì enters, ill and racked with coughing. She asks for Marcello. He tells her that he and Musetta are now living at the inn and that Rodolfo turned up in the night. Mimì explains that Rodolfo’s jealousy is destroying their relationship and he wants to leave her. Marcello advises Mimì to go, but she hides nearby.

Rodolfo comes out of the tavern and says he will break up with Mimì: her flirting has incensed him. Eventually, however, he reveals the real reason for their separation: she is so ill that his miserable poverty offers her nothing but the prospect of death. They hear Mimì crying and coughing. As Rodolfo hurries to her, Musetta’s laugh is heard and Marcello goes to see what she is doing. Mimì says farewell to Rodolfo and asks him to send on her possessions. She proposes that he keep her bonnet as a memento of their love. Marcello and Musetta quarrel and separate. Rodolfo and Mimì decide to postpone their separation until the spring.

ACT IV: The attic, autumn

Marcello and Rodolfo taunt each other about their ex-lovers: Rodolfo has seen Musetta in a fine carriage and Marcello has seen Mimì dressed like a queen. They pretend not to miss the girls but then admit that they do. Schaunard and Colline arrive with bread and a herring and the four eat and amuse each other.

Suddenly Musetta enters. She has brought Mimì, who is desperately ill: Musetta explains that she met her in the street and that Mimì begged to be taken to Rodolfo. Mimì rallies and greets the friends. Musetta instructs Marcello to sell her earrings to pay for medicine and a doctor. Colline leaves to pawn his coat. Mimì, alone with Rodolfo, expresses her boundless love for him. He shows her the bonnet and they reminisce about their first meeting. The others return with a muff and medicine, promising that a doctor will come. Mimì dies unnnoticed while they are preparing her medicine. Colline arrives with money from the pawnbroker, but it is too late.

PRODUCTION CREDITS

Music preparation
Stephen Clarke, Olivia Clarke, André Callegaro, Susanna Stranders, Mark Packwood, Edward Reeve
Assistant Directors
Ben Mills, Daisy Brown, Johannes Stepanek
Language Coaches
Valeria Racco, Emma Abbate

André Callegaro and Edward Reeve are Jette Parker Artists

THE ROYAL OPERA

Patron

The former Prince of Wales

Music Director

Sir Antonio Pappano CVO

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is still our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate