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THE ROYAL OPERA

Music Director

Sir Antonio Pappano CVO

Director of Opera

Oliver Mears

Co-production with San Francisco Opera

Exceptional philanthropic support from
Royal Opera House Principals

Julia and Hans Rausing

Generous philanthropic support from

the Royal Opera House Endowment Fund

Hansel and Gretel

MÄRCHENSPIEL (FAIRYTALE) IN THREE ACTS

16.12.2023 19:30

The 78th performance by The Royal Opera at the Royal Opera House.

APPROXIMATE TIMINGS

The performance lasts about 2 hours 15 minutes, including one interval

GUIDANCE

Parental guidance recommended. Pyrotechnics used throughout. We cannot admit children under the age of 5.

Children under the age of five are not permitted into our auditoria. Children over five must have their own ticket and sit next to an accompanying adult. There are pyrotechnics throughout. Loud noises, strobe lighting and flashes are used in Act III. 

CREDITS

Music
Engelbert Humperdinck
Libretto
Adelheid Wette
Director and Designer
Antony McDonald
Lighting Designer
Lucy Carter
Movement Director
Lucy Burge
Associate Set Designer
Ricardo Pardo
Translation
Kelley Rourke

CAST

Conductor
Mark Wigglesworth
Gretel
Anna Devin
Hansel
Anna Stéphany
Gertrud
Susan Bickley
Peter
Darren Jeffery
Witch
Rosie Aldridge
Sandman
Isabela Díaz
Dew Fairy
Sarah Dufresne
Echoes
Veena Akama-Makia, Sarah Dufresne, Kiera Lyness, Valentina Puskás, Miranda Westcott
Orchestra
Orchestra of the Royal Opera House
Concert Master
Magnus Johnston

Isabela Díaz, Veena Akama-Makia, Sarah Dufresne and Valentina Puskás are Jette Parker Artists

Dancers Dan Cooke, Alexander Fadayiro, Bianca Hopkins, Hannah MacDonald, Sally Owen, Audrey Page, Rosie Southall, Sophie Tierney, Róisín Whelan, Lewis Wilkins

The children’s chorus is provided by Cardinal Vaughan School and The Grey Coat Hospital, with special thanks to music directors Scott Price (Cardinal Vaughan Memorial School) and Katy Ambrose (Grey Coat Hospital)

SYNOPSIS

ACT I

Hansel and Gretel are meant to be working, but are bored and hungry. Gretel tells Hansel that their mother has been given a jug of milk and will make a rice pudding for supper. Hansel tries to steal the cream and Gretel scolds him. Brother and sister decide to stop work, and have some fun. Their mother Gertrud returns home to find them dancing, and is angry. She accidentally knocks over the jug of milk. Now there is no supper, so Gertrud sends the children out into the forest to find strawberries. Gertrud is exhausted and depressed, and worried about her family’s poverty.

The children’s father Peter returns, cheerful after a successful day’s work selling brooms. Gertrud at first suspects he is drunk, but is overjoyed when she sees the vast quantities of food he has purchased. Peter wonders where the children are, and Gertrud explains that she has sent Hansel and Gretel out into the forest. Peter is worried, and tells Gertrud about the terrifying witch who lives there, who lures children into her home to eat them. The parents hurry off to find their children.

ACT II

Gretel makes a garland of flowers while Hansel gathers strawberries. Hansel crowns Gretel queen of the forest. The children hear a cuckoo and mimic it. They pretend to be cuckoos themselves, and feed each other strawberries until they are all gone. Gretel worries that their mother will be angry with them. She tries to look for more berries, but it is too dark.

Hansel and Gretel realize they are lost. The sound of their voices echoing scares them. The tiny Sandman arrives, and soothes the children with a song. Hansel and Gretel become sleepy. They say their evening prayers and fall asleep. Fairy-tale creatures from the forest come to watch over them.

INTERVAL

ACT III

The Dew Fairy arrives to wake up the children. Hansel and Gretel tell each other about their mysterious and marvellous dreams. They now feel ready for anything.

Suddenly the children see a house appear as if by magic. It is partly edible, and they can’t resist it. As Hansel and Gretel nibble at the house, they hear a voice, and the Witch emerges. She tells the children that her name is Rosina Leckermaul and invites them in.

When Hansel and Gretel try to run away, the Witch stops them with a spell. She traps Hansel, orders Gretel to lay the table and eagerly anticipates her forthcoming meal.

The Witch decides that Hansel isn’t fat enough to eat yet and must be fed. While she does this, Gretel steals her magic wand to free Hansel. The Witch asks Gretel to check how her baking is doing. Gretel pretends that she doesn’t know what to do. When the Witch demonstrates, Hansel and Gretel push her into the huge bowl of chocolate mixture.

Children who the Witch trapped and blinded appear. Hansel and Gretel restore their sight by touching them, and Hansel frees them using the Witch’s wand. Hansel and Gretel’s parents arrive to find their children safe and happy. The family are overjoyed to be together again, and everyone celebrates.

PRODUCTION CREDITS

Music preparation
Mark Packwood, Susanna Stranders, André Callegaro
Dialect Projection Coach
Felicity Palmer
Assistant Directors
Danielle Urbas, Harriet Taylor
Assistant to the Movement Director
Róisín Whelan

André Callegaro and Harriet Taylor are Jette Parker Artists

THE ROYAL OPERA

Patron

The former Prince of Wales

Music Director

Sir Antonio Pappano CVO

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is still our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate