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THE ROYAL BALLET

Director

Kevin O'Hare CBE

Founder

Dame Ninette de Valois OM CH DBE

Founder Choreographer

Sir Frederick Ashton OM CH CBE

Founder Music Director

Constant Lambert

Prima Ballerina Assoluta

Dame Margot Fonteyn DBE

Exceptional Philanthropic Support from

Royal Opera House Principals Julia and Hans Rausing

Season Principal Aline Foriel-Destezet

Generous Philanthropic Support from Sir Lloyd and Lady Dorfman OBE 

The 2023/24 Royal Ballet Season generously supported by Aud Jebsen

Anemoi / The Cellist 

20.10.2023 19:30

APPROXIMATE TIMINGS

This performance will last for approximately 2 hours, including one interval.
Anemoi
25 minutes
Interval
30 minutes
The Cellist
65 minutes

GUIDANCE

Content suitable for all, subject to House rules

Children under the age five are not permitted into our auditoria. Children over age five must have their own ticket and sit next to an accompanying adult.

Anemoi / The Cellist 

Anemoi

The 9th performance by The Royal Ballet at the Royal Opera House.
CREDITS
Choreography
Valentino Zucchetti
Music
Sergey Rachmaninoff
Arranged and orchestrated by
Hans Vercauteren
Designer
Jean-Marc Puissant
Lighting Designer
Simon Bennison
Staging
Gary Avis
CAST
Dancers
Mariko Sasaki, Lukas B. Brændsrød, Leticia Dias, Taisuke Nakao
Madison Bailey, Yu Hang, Bomin Kim, Maddison Pritchard, Charlotte Tonkinson, Ginevra Zambon
Liam Boswell, Harry Churches, Martin Diaz, Harrison Lee, Marco Masciari, Giacomo Rovero
Conductor
Koen Kessels
Principal Guest Concert Master
Vasko Vassilev
Orchestra
Orchestra of the Royal Opera House

The Cellist

The 7th performance by The Royal Ballet at the Royal Opera House.
CREDITS
Choreography
Cathy Marston
Scenario
Cathy Marston and Edward Kemp
Music
Philip Feeney
Set Designer
Hildegard Bechtler
Costume Designer
Bregje van Balen
Lighting Designer
Jon Clark
Dramaturgy
Edward Kemp
Staging
Luke Ahmet and Deirdre Chapman
CAST
The Cellist
Lauren Cuthbertson
The Instrument
Marcelino Sambé
The Conductor
Matthew Ball
The Cellist (as a young girl)
Ayla Orsborn
Her Sister (as a young girl)
Filippa Deegan
Her Mother
Christina Arestis
Her Father
Thomas Whitehead
Her Sister
Ashley Dean
Her Cello Teachers
Gary Avis, David Donnelly, Giacomo Rovero
Her Musical Friends
Leo Dixon, Téo Dubreuil, Joshua Junker
A Chorus of Narrators
Artists of The Royal Ballet
Solo Cello
Hetty Snell
Conductor
Koen Kessels
Principal Guest Concert Master
Vasko Vassilev
Orchestra
Orchestra of the Royal Opera House

Students of The Royal Ballet School appear by kind permission of the Artistic Director Christopher Powney

SYNOPSIS

‘O body swayed to music, O brightening glance,

How can we know the dancer from the dance?’

William Butler Yeats, ‘Among School Children’

‎‎‏‏‎ ‎‎‎‏‏‎ ‎

The instrument lies unplayed. 

‎‎‏‏‎ ‎

Awoken by echoes of past performances,  

the instrument is inspired to tell the story of a great player. 

‎‎‏‏‎ ‎

How a little girl heard the sound of the cello and fell in love with it. 

How her mother started to teach her, until her abundant talent far outgrew her mother’s teaching.   

How a new teacher opened the way to a community of peerless music-makers, 

where she met a conductor,  

who became her colleague and soulmate: their love impelled by music.   

How they became celebrities, their fame amplified by many recordings. 

How they married and embarked upon a whirlwind circuit of touring and concerts.   

‎‎‏‏‎ ‎

Until the cellist found herself beginning to flag, unable to keep up and the couple’s relationship started to unravel.  

Because the cellist was battling more than tiredness: she was sick, 

an illness that would destroy her nerves, cut short her career and in the end her life.   

‎‎‏‏‎ ‎

How then the cellist fought to keep playing  

and when she could fight no more, shut away the instrument and fell silent.   

How she lost her voice, but inspires still: the music she made resonating onward,  

etched in the memories of those who heard her and the recordings she left behind.

‎‎‏‏‎ ‎

Edward Kemp 

THE ROYAL BALLET

Music Director

Koen Kessels

Resident Choreographer

Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

DIGITAL CAST SHEETS

We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is still our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate