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Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

THE ROYAL BALLET

Director

Kevin O'Hare CBE

Founder

Dame Ninette de Valois OM CH DBE

Founder Choreographer

Sir Frederick Ashton OM CH CBE

Founder Music Director

Constant Lambert

Prima Ballerina Assoluta

Dame Margot Fonteyn DBE

Season Principal ALINE FORIEL-DESTEZET

Generous philanthropic support from JULIA AND HANS RAUSING, VICTORIA ROBEY OBE, SIR LLOYD AND LADY DORFMAN OBE and THE PATRONS OF COVENT GARDEN

Corybantic Games 

Generous philanthropic support from RICKI GAIL AND ROBERT CONWAY and MR AND MRS EDWARD ATKIN CBE

Resident Choreographer Wayne McGregor generously supported by TINA TAYLOR

Artistic Associate Christopher Wheeldon generously supported by KENNETH AND SUSAN GREEN

The 2022/23 Royal Ballet Season is generously supported by AUD JEBSEN

The Royal Ballet dedicates these performances of Anastasia Act III to the memory of the late great ballerina Lynn Seymour and her extraordinary artistry.

Untitled, 2023 / Corybantic Games / Anastasia Act III

17.06.2023 19:30

APPROXIMATE TIMINGS

This production lasts approximately 2 hours and 50 minutes, including two intervals.
Untitled, 2023
35 minutes
Interval
30 minutes
Corybantic Games
35 minutes
Interval
25 minutes
Anastasia Act III
40 minutes

GUIDANCE

Suitable for ages 12+

Anastasia Act III contains themes of war and stylized depictions of the challenges of mental health. There is a gunshot towards the end.

Untitled, 2023

This is the 6th performance by The Royal Ballet at the Royal Opera House.
CREDITS
Choreography
Wayne McGregor
Music
Anna Thorvaldsdottir
Catamorphosis and Metacosmos
By arrangement with Chester Music Ltd
Set Designer
Carmen Herrera
Costume Designer
Burberry
Lighting Designer
Lucy Carter
Répétiteur
Edward Watson
CAST
Denilson Almeida, Harris Bell, Liam Boswell, William Bracewell, Leticia Dias, Leo Dixon, Melissa Hamilton, Fumi Kaneko, Sae Maeda, Marco Masciari, Viola Pantuso, Calvin Richardson, Giacomo Rovero, Sumina Sasaki, Francisco Serrano, Joseph Sissens, Charlotte Tonkinson, Marianna Tsembenhoi
Conducted by
Koen Kessels
Concert Master
Sergey Levitin
Orchestra
Orchestra of the Royal Opera House

Corybantic Games

This is the 13th performance by The Royal Ballet at the Royal Opera House.
CREDITS
Choreography
Christopher Wheeldon
Music
Leonard Bernstein
Serenade (after Plato’s ‘Symposium’)
Performances given by permission of Boosey & Hawkes Music Publishers Limited
Set Designer
Jean-Marc Puissant
Costume Designer
Erdem Moralioglu
Lighting Designer
Peter Mumford
Rehearsal Director
Christopher Saunders
Répétiteur
Samira Saidi
CAST
Conducted by
Koen Kessels
Dancers
The Company
Associate Concert Master
Peter Schulmeister
Solo Violin
Sergey Levitin
Orchestra
Orchestra of the Royal Opera House

Anastasia Act III

This is the 11th performance of the one-act work by The Royal Ballet at the Royal Opera House.
CREDITS
Choreography
Kenneth MacMillan
Music
Bohuslav Martinů
Symphony No. 6
Performances given by permission of Boosey & Hawkes Music Publishers Limited
Electronic music produced by
The Studio of the Technical University of West Berlin
Production realized by
Deborah MacMillan
Designer
Bob Crowley
Lighting Designer
John B. Read
Staging
Gary Harris
Senior Répétiteur
Samantha Raine
Répétiteur
Helen Crawford
Principal coaching
Leanne Benjamin
CAST
Anna Anderson
Laura Morera
The woman who believes she is Anastasia
Rasputin
Ryoichi Hirano
Her Husband
Bennet Gartside
Matron
Elizabeth McGorian
Conducted by
Koen Kessels
Concert Master
Sergey Levitin
Orchestra
Orchestra of the Royal Opera House

Soldiers, Nurses, Peasants, Relatives ARTISTS OF THE ROYAL BALLET

SYNOPSIS

For the woman who believes she is Anastasia, past and present intermingle.

She re-lives incidents from the years since the massacre of the Tsar and his family at Ekaterinburg: her rescue by two brothers, the birth of her child, her marriage, the death of her husband, the disappearance of her child, her attempted suicide and confrontation over the years with relatives of the imperial family who deny her identity as the Grand Duchess Anastasia.

THE ROYAL BALLET

Music Director

Koen Kessels

Resident Choreographer

Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

DIGITAL CAST SHEETS

We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.

You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.

Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.

Cast sheets generously supported by the Royal Opera House Endowment Fund.

GUIDELINES

Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the  building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.

Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.

Please do not place any personal belongings on the ledges in front of you.

Only bottled water and ice cream purchased from the premises can be taken into the auditorium.

If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.

Smoking and vaping are not permitted anywhere on the premises.

The safety of our visitors, staff and artists is still our priority. There are hand sanitiser stations throughout the building. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate