1 December 2012 at 12.51pm | 4 Comments
Kenneth MacMillan’s masterful Mayerling is one of the most choreographically and psychologically rich full-length ballets in The Royal Ballet's repertory. Based on the life of Crown Prince Rudolf, heir to the throne of the Austro-Hungarian Empire, it's a dark work encompassing everything from love and lust to political intrigue; drugs and violence to insanity and suicide.
MacMillan began working on the ballet in 1977 when he was the Artistic Director of The Royal Ballet, creating the lead roles on David Wall and Lynn Seymour. When he retired from the position in 1978, it was to focus his energy on choreography; a decision triumphantly vindicated when Mayerling received a standing ovation on its premiere at a Royal Gala in 1978.
At the time of its premiere 34 years ago, Mayerling was the first full-length British ballet in which a male dancer had the central role. Current Royal Ballet Principal Edward Watson loves the work:
“There’s nothing like Mayerling – nothing so focuses on the male protagonist. The choreography is incredible to get into, and emotionally it’s completely exhilarating and exhausting.”
The lead role of the violent and tortured Crown Prince Rudolf of Vienna places exceptional demands on the dancer, requiring dramatic theatrical ability and interpretation as much as physical athleticism.
David Wall described the character in an interview with Mark Monahan for About The House magazine:
“The day after a performance of Mayerling, I used to feel as if I'd been run over by a steamroller. One has to have total confidence in one’s artistry and in the fact that one can be subtle within the role, and not just treat it as a big male virtuoso piece. It involves a lot of intelligence of interpretation... ”
The rollercoaster-like ballet is set to the dramatic music of Franz Liszt, arranged by John Lanchbery.
Mayerling runs 28 April–13 May 2017.
1 December 2012 at 12.51pm
This article has been categorised Ballet and tagged by Kenneth Macmillan, David Wall, Kenneth MacMillan, Lynn Seymour, Mayerling, Production
This article has 4 comments
When I saw it, Edward Watson was magnetic and brilliant as Mayerling: the best! Fragile and sinister and powerful. I loved him in it. A proper 'grown-up' ballet and one of my favourites. The choreography is exhilarating, especially when Mitzi leaps with the men in the tavern scene. A clip would be nice to accompany this article. Great costumes as well. I could watch it again and again.
danza piace
David wall was brilliant best rudof ever
My favorite ballet. Then "Manon"