As the Middle East blazes with conflict, a young woman waits at a European border, hoping to cross over to Zauberland – a magic land of peace and security. But when she falls asleep, she dreams of the burnt-out city she has been forced to leave behind. The Royal Opera’s relationship with director Katie Mitchell and writer Martin Crimp (Written on Skin and Lessons in Love and Violence) moves to the Linbury Theatre with a new dramatic piece for soprano, piano and four actors. Crimp and composer Bernard Foccroulle have created 16 new songs that are performed alongside Robert Schumann and Heinrich Heine’s Dichterliebe, opening up a dialogue between the 19th century and today.
This production features adult themes
Lyrical Creation Fund (SACD)
C.I.C.T. – Théâtre des Bouffes du Nord
Co-commission and co-production with La Monnaie/De Munt, Brussels; Opéra de Lille; Lincoln Center for the Performing Arts, Inc., New York; Opéra de Rouen Normandie; University Musical Society of the University of Michigan, Ann Arbor; and Le Cercle des Partenaires des Bouffes du Nord
There is lift access from the main foyer to the Linbury Theatre Foyer. The entrances to the Linbury Theatre are from the Upper Circle level, and customers must descend to their seating area via stairs or a lift. Lift access to seating in the Linbury Theatre is from auditorium right only (right-hand entrance and on your right-hand side as you face the stage). We recommend seating on the right-hand side of the auditorium for those who require level access or minimal stairs. The left-hand side of the auditorium can involve many stairs. There are six wheelchair spaces in the Linbury Theatre. Find out more about accessing the Linbury Theatre.