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THE ROYAL BALLET

Director

Kevin O'Hare CBE

Founder

Dame Ninette de Valois OM CH DBE

Founder Choreographer

Sir Frederick Ashton OM CH CBE

Founder Music Director

Constant Lambert

Prima Ballerina Assoluta

Dame Margot Fonteyn DBE

Supported by

Boodles logo

Generous philanthropic support from Julia and Hans Rausing, John and Susan Burns OBE, Ricki Gail and Robert Conway, Kenneth and Susan Green and Doug and Ceri King

The 2021/22 Royal Ballet Season is generously supported by Aud Jebsen

The role of Odette/Odile is supported by Sarah and Nigel Hammond

The role of Prince Siegfried is supported by Alexandra Perricone

Swan Lake

Ballet in Four Acts

03.03.2022 19:30

This is the 1036th performance by The Royal Ballet at the Royal Opera House.

WELCOME

The beauty of Tchaikovsky’s music for Swan Lake has stirred emotions and inspired ballet lovers across time, not least Liam Scarlett who described the 1876 score as a masterpiece unmatched in the classical repertory. ‘From that first melancholic note on the oboe,’ he commented, ‘to the climactic finale, it is perfection.’ Liam’s reimagining of Marius Petipa and Lev Ivanov’s classic stands as a testament to the late choreographer’s innate musicality and abiding love of classicism which shine through the production. His musical and lyrical gifts, together with magnificent designs by John Macfarlane and atmospheric lighting by David Finn, continue to illuminate the ballet’s haunting allure for audiences today.

– Kevin O'Hare, Director of The Royal Ballet

APPROXIMATE TIMINGS

The performance lasts about 3 hours, including two intervals.
Act I
35 minutes
Act II
30 minutes
Interval
25 minutes
Act III
40 minutes
Interval
20 minutes
Act IV
25 minutes

CREDITS

Company
The Royal Ballet
Choreography
Marius Petipa and Lev Ivanov
Additional choreography
Liam Scarlett and Frederick Ashton
Music
Pyotr Il’yich Tchaikovsky
Production
Liam Scarlett
Designer
John Macfarlane
Lighting Designer
David Finn
Staging
Gary Avis, Laura Morera and Kevin O'Hare

CAST

Conducted by
Koen Kessels
Concert Master
Sergey Levitin
Orchestra
Orchestra of the Royal Opera House
Odette/Odile
Natalia Osipova
Prince Siegfried
Reece Clarke
The Queen
Christina Arestis
Von Rothbart
Gary Avis
Benno
Luca Acri
Prince Siegfried's Sisters
Leticia Dias, Yuhui Choe
Act I
Waltz and Polonaise
Isabella Gasparini, Isabel Lubach, Sae Maeda, Julia Roscoe, Benjamin Ella, James Hay, Tomas Mock, David Yudes, Artists of The Royal Ballet
Act II
Cygnets
Sophie Allnatt, Ashley Dean, Isabella Gasparini, Sae Maeda
Two Swans
Melissa Hamilton, Mariko Sasaki
Swans
Artists of The Royal Ballet
Act III
Spanish Princess
Isabel Lubach
Hungarian Princess
Gina Storm-Jensen
Italian Princess
Isabella Gasparini
Polish Princess
Mariko Sasaki
Spanish dance
Mica Bradbury, Joonhyuk Jun, Harrison Lee, Francisco Serrano, Joseph Sissens
Czárdás
Charlotte Tonkinson, Leo Dixon, Artists of The Royal Ballet
Neapolitan dance
Ashley Dean, James Hay
Mazurka
Nadia Mullova-Barley, David Donnelly, Artists of The Royal Ballet
Act IV
Cygnets, Two Swans, Swans
as Act II

Court Ladies, Lieutenants, Corporals, Ladies-in-waiting, Servants, Heralds, Guards, Guests

Artists of The Royal Ballet and Students of The Royal Ballet School

Students of The Royal Ballet School appear by kind permission of the Artistic Director Christopher Powney

SYNOPSIS

PROLOGUE

Princess Odette is turned into a swan by the sorcerer Von Rothbart.

ACT I

Prince Siegfried is celebrating his birthday with the court, under the manipulative gaze of Von Rothbart, now disguised in human form as the Queen's advisor. Siegfried’s mother presents him with a gift, the crossbow of his late father. She decrees that he must choose a royal bride at a palace ball to be held in his honour the following evening. Weighed down by the responsibilities of both kingdom and imminent marriage, Siegfried is comforted by Benno.

Von Rothbart orders Siegfried to go inside. Siegfried refuses and wanders away alone.

ACT II

Benno, concerned for the Prince, has followed Siegfried to a clearing by the lake. He urges the Prince to return to the palace. Siegfried resists all talk of marriage.

Alone again, Siegfried sees a flock of swans flying high above. To his amazement, one lands and transforms into a beautiful maiden, the Princess Odette. Captivated, he approaches her tentatively with the reassurance that he means her no harm. Odette shares that she is a victim of Von Rothbart’s curse that compels her to live as a swan by day; only at night, by the lake created from her mother’s tears, is she able to return to human form. The curse can be broken only by one who has never loved before and who pledges an oath of undying love to her.

Von Rothbart appears and Odette begs him not to harm the Prince. Siegfried attempts to shoot Von Rothbart but Odette explains that the curse cannot be lifted if the sorcerer is killed. Odette and the Prince express their love for each other.

As dawn breaks, the power of Von Rothbart draws Odette away from Siegfried and she changes back into a swan.

INTERVAL

ACT III

Having rushed back from the lake, Siegfried is met by Benno who instructs him to prepare for the ball.

Von Rothbart welcomes the royal guests who have travelled from distant lands. The Queen realizes that Siegfried is missing and commands Benno to distract the court. Siegfried finally arrives and is ordered by his mother to choose a bride from four beautiful princesses. Reluctantly he dances with each in turn but, still entranced by the memory of Odette, refuses to make a choice.

Von Rothbart seizes his moment. A fanfare signals the entrance of an uninvited guest, Odile. By Von Rothbart’s magic, she appears identical to Odette. Siegfried cannot believe that his beloved has arrived. Relieved at her son’s change of heart, the Queen invites the Spanish, Hungarian, Neapolitan and Polish guests to entertain the court.

Siegfried is dazzled by Odile’s beauty. Odette, appearing as a vision, tries in vain to warn Siegfried of the deceit. Sensing nothing wrong, Siegfried chooses Odile for his bride. Von Rothbart triumphantly takes her hand and gives it to Siegfried who, in the presence of everyone, promises a vow of marriage and eternal love. Von Rothbart reveals his true identity and takes control of the palace. Grief stricken, Siegfried returns to the lake.

INTERVAL

ACT IV

By the lake, the swans anxiously await Odette’s return. She appears, heartbroken, and tells them of Siegfried’s betrayal. Doomed to remain a swan forever, the only escape is death – to be free from the curse, she must perish in the waves of the lake.

Siegfried’s desperate search through the storm ends at the lakeside. He begs Odette’s forgiveness. Von Rothbart appears and reminds Siegfried of his vow. He declares that Odette now belongs to him, to Von Rothbart, for eternity. With her fate sealed, Odette rushes to the rock and plunges into the lake. Through her sacrifice, the sorcerer’s power is destroyed and Siegfried is left to cradle the lifeless body of the Princess.

THE ROYAL BALLET

Director

Kevin O'Hare CBE

Music Director

Koen Kessels

Resident Choreographer

Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

DIGITAL CAST SHEETS

We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.

You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.

Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.

Cast sheets generously supported by the Royal Opera House Endowment Fund.

SAFETY GUIDELINES

The safety of our visitors, staff and artists is still our priority and we continue to have strict cleaning regimes and enhanced ventilation in place. There are hand sanitiser stations throughout the building. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Wearing a face mask is no longer required, but staff and visitors are welcome to wear one.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate