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THE ROYAL BALLET

Director

Kevin O'Hare CBE

Founder

Dame Ninette de Valois OM CH DBE

Founder Choreographer

Sir Frederick Ashton OM CH CBE

Founder Music Director

Constant Lambert

Prima Ballerina Assoluta

Dame Margot Fonteyn DBE

Generous philanthropic support from Julia and Hans Rausing, John and Susan Burns OBE, Sir Lloyd and Lady Dorfman, Kenneth and Susan Green, Sandra and Anthony Gutman, the Jean Sainsbury Royal Opera House Fund and the Royal Opera House Endowment Fund.

The 2021/22 Royal Ballet Season is generously supported by Aud Jebsen.

Romeo and Juliet

Ballet in three acts

03.02.2022 19:30

This is the 527th performance by The Royal Ballet at the Royal Opera House.

APPROXIMATE TIMINGS

The performance will last approximately 2 hours 55 minutes, with two intervals.
Act I
60 minutes
Interval
20 minutes
Act II
35 minutes
Interval
20 minutes
Act III
40 minutes

CREDITS

Choreography
Kenneth MacMillan
Music
Sergey Prokofiev
Designer
Nicholas Georgiadis
Lighting Designer
John B. Read
Rehearsal Director
Christopher Saunders
Staging
Laura Morera

CAST

Conducted by
Jonathan Lo
Concert Master
Vasko Vassilev
Orchestra
Orchestra of the Royal Opera House
Juliet
Anna Rose O'Sullivan
Romeo
Marcelino Sambé
Mercutio
James Hay
Tybalt
Thomas Whitehead
Benvolio
Leo Dixon
Paris
Nicol Edmonds
Lady Capulet
Kristen McNally
Lord Capulet
Gary Avis
Escalus, Prince of Verona
Lukas B. Brændsrød
Rosaline
Claire Calvert
Nurse
Romany Pajdak
Friar Laurence
Philip Mosley
Lady Montague
Olivia Cowley
Lord Montague
Philip Mosley
Juliet’s Friends
Mica Bradbury, Ashley Dean, Leticia Dias, Mariko Sasaki, Charlotte Tonkinson, Amelia Townsend
Harlots
Meaghan Grace Hinkis, Isabella Gasparini, Gina Storm-Jensen
Mandolin dancers
Joonhyuk Jun, David Donnelly, Harrison Lee, Francisco Serrano, Stanisław Węgrzyn, David Yudes
Ballroom Guests, Townspeople
Artists of The Royal Ballet

Music by permission of Boosey & Hawkes Music Publishers Ltd.

Students and Junior Associates of The Royal Ballet School appear by kind permission of the Artistic Director Christopher Powney.

SYNOPSIS

ACT I

The Capulets and Montagues are sworn enemies. A fight breaks out in the market place led by Romeo Montague and his friends Mercutio and Benvolio against Tybalt, Lord Capulet’s nephew, and other members of the Capulet house. The Prince of Verona commands the families to end their feud. Lord and Lady Capulet introduce their daughter Juliet to Paris, a nobleman they intend her to marry. In disguise, Romeo, Mercutio and Benvolio sneak into a ball at the Capulets’ house. Romeo and Juliet are taken with each other. Later, when Juliet is on her balcony, Romeo appears below and they profess their love.

INTERVAL

ACT II

Juliet’s nurse delivers a letter to Romeo in which Juliet says she will be his wife. The lovers are secretly married by Friar Laurence. In the market place, Tybalt fights Mercutio and kills him. Romeo avenges the death of his friend and is punished with immediate exile from Verona.

INTERVAL

ACT III

Secretly, Romeo has been with Juliet through the night. In the morning, Romeo embraces Juliet and escapes as her parents enter with Paris. Juliet refuses to marry Paris, and her parents threaten to disown her. Juliet rushes to beg Friar Laurence’s help. He gives her a potion that will make her fall temporarily into a deathlike sleep. Juliet agrees to marry Paris but the next morning her parents find her apparently lifeless. Romeo, who has not received the Friar’s warning message about the subterfuge, returns to Verona at the news of Juliet’s death. In the Capulet tomb, he believes Juliet to be dead and drinks poison. Juliet awakes, finds Romeo dead, and stabs herself.

THE ROYAL BALLET

Director

Kevin O'Hare CBE

Music Director

Koen Kessels

Resident Choreographer

Wayne McGregor CBE

Artistic Associate

Christopher Wheeldon OBE

Administrative Director

Heather Baxter

Rehearsal Director

Christopher Saunders

Clinical Director Ballet Healthcare

Shane Kelly

DIGITAL CAST SHEETS

We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.

You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.

Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.

Cast sheets generously supported by the Royal Opera House Endowment Fund.

SAFETY GUIDELINES

The safety of our visitors, staff and artists is still our priority and we continue to have strict cleaning regimes and enhanced ventilation in place. There are hand sanitiser stations throughout the building. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Wearing a face mask is no longer required, but staff and visitors are welcome to wear one.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate