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THE ROYAL OPERA

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

Generous philanthropic support from Julia and Hans Rausing, Yvonne and Bjarne Rieber, the Friends of Covent Garden and the American Friends of Covent Garden

Otello

DRAMMA LIRICO IN FOUR ACTS

18.07.2022 19:30

The 237th performance by The Royal Opera at the Royal Opera House.

APPROXIMATE TIMINGS

The performance lasts about 3 hours 10 minutes, including one interval.
Acts I and II
75 minutes
Interval
30 minutes
Acts III and IV
85 minutes

GUIDANCE

Suitable for ages 12+

This production contains themes of racism and depictions of violence. 

CREDITS

Company
The Royal Opera
Music
Giuseppe Verdi
Libretto
Arrigo Boito
Director
Keith Warner
Revival Director
Isabelle Kettle
Set Designer
Boris Kudlička
Costume Designer
Kaspar Glarner
Lighting Designer
Bruno Poet
Movement Director
Michael Barry
Fight Director
Ran Arthur Braun

CAST

Conducted by
Daniele Rustioni
Montano
Blaise Malaba
Cassio
Piotr Buszewski
Iago
Christopher Maltman
Roderigo
Andrés Presno
Otello
Russell Thomas
Desdemona
Hrachuhí Bassénz
Emilia
Monika-Evelin Liiv replaces Kseniia Nikolaieva
Herald
Dawid Kimberg
Lodovico
Alexander Köpeczi
Orchestra
Orchestra of the Royal Opera House
Concert Master
Sergey Levitin
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding

Blaise Malaba is a member of the Jette Parker Young Artist Programme

Andrés Presno is a member of the Jette Parker Anniversary Company

Children* Aarib Aamir, Bethany Archbold, Iris Betts, Lucia Campbell, Albertine Clues, Tomo Davies, Arsen Hristov, Ewan McLatchie, Suhayla Monfries, Micayla Ray, Celia Sprague, Lily Vara, Oscar Walpole, Bella White

*Members of the Youth Opera company

Actors Azzurra Caccetta, Rich Gittins, Tom Levermore, Xavi Monreal, Barty Shepherd, Sirena Tocco, James Unsworth, Addis Williams

Extra Chorus

Sopranos Christine Cunnold, Rebecca Goulden, Caroline Lenton-Ward, Bernadette Lord, Monica McGhee, Helen Miles, Alison Rayner, Elizabeth Roberts, Elinor Rolfe-Johnson, Juliet Schiemann, Rosalind Waters, Rachel Wolseley, Vanessa Woodfine

Mezzo-Sopranos Jeanette Ager, Maria Brown, Siobhain Gibson, Zoe Haydn, Frances Jellard, Maria Jones, Clare McCaldin,
Jennifer Westwood, Sidonie Winter

Tenors Philip Bell, Simon Biazeck, Phillip Brown, Darrell Forkin, Andrew Friedhoff, Richard Monk, James Scarlett

Basses Jochem van Ast, Darron Moore, Oliver Gibbs, Peter Willcock, Gavin Horsley, James Birchall, Robert Winslade-Anderson

British Sign Language Interpretation of this performance will be provided by Wendy Ebsworth, with assistance from Caroline Jaya-Ratnam

SYNOPSIS

The action takes place on the island of Cyprus at the end of the 15th century.

ACT I

During a storm, Cypriots anxiously wait for their governor Otello, who has led his forces into a naval battle against the Turks. Otello arrives, victorious. 

The Venetian Roderigo is in love with Otello’s wife Desdemona; Iago, who secretly hates Otello, offers to help Roderigo. Iago plies Cassio with wine and needles Roderigo into picking a fight with Cassio. The outgoing governor Montano calls Cassio to guard duty and is shocked to find him drunk. Cassio attacks Montano and Roderigo. Otello arrives and stops the fight, stripping Cassio of his captaincy. 

Alone, Otello and Desdemona enjoy the peaceful evening, exult in their happiness and kiss.

ACT II

Iago urges Cassio to ask Desdemona to intercede for him with Otello. Alone, Iago rejoices in his own malignity. Iago tells Otello that he worries about Cassio’s friendship with Desdemona. Otello initially refuses to believe him, but becomes suspicious when Desdemona pleads for Cassio’s pardon. Desdemona offers to bind her husband’s aching head with her handkerchief, but he throws it to the ground. Emilia picks it up and Iago takes it from her. 

Otello demands proof from Iago of Desdemona’s infidelity. Iago tells him that he heard Cassio talking in his sleep about Desdemona, and has seen him with her embroidered handkerchief. Otello is now certain of his wife’s guilt, and he and Iago vow vengeance. 

INTERVAL

ACT III

Desdemona again pleads for Cassio’s pardon. Otello becomes agitated and demands that she bind his aching head with her embroidered handkerchief. Desdemona explains that she doesn’t have it. Otello accuses her outright of infidelity and, alone, collapses in despair. 

Iago persuades Otello to hide, then gossips with Cassio about the latter’s mistress, Bianca. Otello mistakenly believes they are discussing Desdemona. Cassio confides that he has found a woman’s handkerchief in his lodgings, and produces Desdemona’s (planted by Iago). Otello decides that Desdemona must die. 

The crowd hail Otello and the Venetian emissaries. Otello reads out a decree from the Venetian Doge: he and Desdemona are to return to Venice, and Cassio will become governor. When Otello turns on Desdemona she becomes distraught, and the crowd pity her. Meanwhile, Iago promises to arrange Cassio’s death and orders Roderigo to murder him. 

Otello commands everyone to leave, and curses his wife. Imagining Desdemona and Cassio embracing he collapses in a fit as the crowd hail the ‘Lion of Venice’. 

ACT IV

Desdemona sings the Willow Song that she learnt from her mother’s maid. She feels a presentiment of her own death, prays and finally falls sleep. 

Otello wakes his wife with a kiss. He demands she confess her adultery before he kills her. Desdemona insists on her innocence, but Otello refuses to listen, and smothers her. Emilia arrives with the news that Cassio has killed Roderigo, and to hear Desdemona protest her innocence as she dies. Cassio, Montano and Iago arrive with soldiers. Emilia, Cassio and Montano reveal how Iago deceived Otello, and Iago flees. Full of remorse for what he has done to Desdemona, Otello stabs himself. As he dies he begs Desdemona for one more kiss.

PRODUCTION CREDITS

Music preparation
Paul Wynne Griffiths, Susanna Stranders, Edo Frenkel, Michael Papadopoulos, Michael Sikich, Edmund Whitehead
Assistant Director
Christopher Moon-Little
Language Coach
Marco Canepa

Edo Frenkel, Michael Papadopoulos and Michael Sikich are members of the Jette Parker Young Artists Programme

THE ROYAL OPERA

Patron

HRH The Prince of Wales

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

DIGITAL CAST SHEETS

We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.

You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.

Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.

Cast sheets generously supported by the Royal Opera House Endowment Fund.

SAFETY GUIDELINES

The safety of our visitors, staff and artists is still our priority and we continue to have strict cleaning regimes and enhanced ventilation in place. There are hand sanitiser stations throughout the building. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Wearing a face mask is no longer required, but staff and visitors are welcome to wear one.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

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