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THE ROYAL OPERA

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

Production supported by Season Principal Mrs Aline Foriel-Destezet

Generous philanthropic support from Julia and Hans Rausing, Rena and Sandro Lavery and Melinda and Donald Quintin

Nabucco

Dramma lirico in four parts

23.01.2022 15:00

The 49th performance by the Royal Opera at the Royal Opera House.

APPROXIMATE TIMINGS

The performance lasts about 2 hours 50 minutes, including one interval.

CREDITS

Company
The Royal Opera
Music
Giuseppe Verdi
Libretto
Temistocle Solera
Director
Daniele Abbado
Associate director
Boris Stetka
Designer
Alison Chitty
Lighting Designer
Alessandro Carletti
Video Designer
Luca Scarzella
Movement
Simona Bucci

CAST

Conducted by
Daniel Oren
Nabucco (Nebuchadnezzar)
Amartuvshin Enkhbat
Abigaille
Liudmyla Monastyrska replaces Anna Netrebko
Zaccaria
Alexander Vinogradov
Fenena
Vasilisa Berzhanskaya
Ismaele
Najmiddin Mavlyanov
High Priest of Baal
Blaise Malaba
Anna
April Koyejo-Audiger
Abdallo
Andrés Presno
Orchestra
Orchestra of the Royal Opera House
Guest concert master
Ania Safonova
Chorus
Royal Opera Chorus
Chorus master
William Spaulding

April Koyejo-Audiger, Andrés Presno and Blaise Malaba are members of the Jette Parker Young Artists Anniversary Company

Actors Carly Best, Carly Blackburn, Jean Pierre Blanchard, Laura Brera, Josh Cavendish, Peter Cooney, Soledad de la Hoz, David Galea, Rich Gittins, Emma Greene, Keiko Hewitt-Teale, Jamie Higgins, Sebastien Kapps, Michael Larcombe, David Murley, Rosy Sanders, Aitor Viscarolasaga Lopez, Joe Watson

Children Alexander Chin, Lily Conyer, Guy David Eliyahu Kedar, Maguette Ndiaye

EXTRA CHORUS

Sopranos Angela Caesar, Celeste Gattai, Caroline Lenton-Ward, Helen Miles, Alison Rayner, Elizabeth Roberts, Anna Samant, Juliet Schiemann, Rosalind Waters, Vanessa Woodfine

Mezzo-sopranos Maria Brown, Tamsin Dalley, Siobhain Gibson, Zoe Haydn, Maria Jones, Clare McCaldin, Jennifer Westwood

Tenors Phillip Bell, Phillip Brown, Andrew Busher, Jon English, Darrell Forkin, Satriya Krisna, Simon McEnery, James Scarlett, Alex Wall

Basses Stephen Alder, James Birchall, Oscar Castellino, Gavin Horsley, Njabulo Madlala, John Morgan, Martin Nelson, Mark Saberton, Phil Tebb, Peter Willcock, Jonathan Wood

SYNOPSIS

War has broken out between the Babylonians and the Hebrews. The Hebrews have captured Fenena, younger daughter of the Babylonian king Nabucco and are holding her hostage. Nabucco has sworn to conquer Jerusalem.

PART I

The Hebrews pray for mercy as the Babylonians advance. The prophet Zaccaria reminds them of God’s power. The Hebrews go into battle. Ismaele, nephew of the King of Jerusalem, remains behind to guard Fenena. Fenena and Ismaele recall how they fell in love while Ismaele was a prisoner of the Babylonians, and how Fenena helped him to escape. They are interrupted by Abigaille, who also loves Ismaele. Abigaille vows vengeance on the lovers.The defeated Hebrews rush in, followed by Nabucco and his triumphant warriors. Zaccaria threatens to kill Fenena. Fearful for Fenena, Ismaele disarms him. The crowd curse Nabucco as the Babylonian king orders the destruction of the Temple.

PART II

Nabucco has brought many Hebrews as prisoners to Babylon. Meanwhile, Abigaille has stolen a document that proves her true parents were slaves: she was only fostered by Nabucco. She broods on her loneliness and Nabucco’s preference for Fenena. When the High Priest of Baal informs her that Fenena is freeing the Hebrews, Abigaille decides to take control of the kingdom. Zaccaria prays, then goes to find Fenena. Ismaele is accused of treachery by a group of Levites. Zaccaria returns with Anna and Fenena, and Anna informs the Levites that Fenena has converted to Judaism and is now their ally. She urges the Levites to forgive Ismaele. Abdallo announces the rebellion set in motion by Abigaille. Abigaille and the High Priest enter in triumph. Nabucco challenges Abigaille to take the crown from him. He defiantly declares that he is no longer a king, but indeed a god, then suddenly collapses. As he raves in debilitating confusion, Abigaille claims the crown.

INTERVAL

PART III

The Babylonians celebrate their victory. Abigaille tricks Nabucco, who doesn’t recognize her, into signing a death warrant for the Hebrews. Once he has signed, Abigaille gleefully tells him that he has condemned Fenena. Furious, Nabucco regains enough sanity to recognize Abigaille. He tells her that she is the child of slaves. Abigaille destroys the stolen document that would prove it. Nabucco begs her for mercy but she is adamant that the Hebrews must die, and orders Nabucco to be imprisoned. The Hebrews mourn their exile in Babylon. Zaccaria prophesies that Babylon will be destroyed and his people will be free. His words give the Hebrews courage.

PART IV

Nabucco raves about the war and the defeat of Jerusalem, echoing the prophecy made by Zaccaria to the Hebrews. He hears voices crying for the execution of Fenena but is powerless to help her. In despair, he prays to the God of the Hebrews, vowing that he will convert if God will save Fenena. His sanity is immediately restored, and his servant Abdallo enters with soldiers to release him. Nabucco leads his men out to free the Hebrews. The Hebrew prisoners are led in to be sacrificed and Fenena prepares serenely for death. Nabucco and his army enter and free the prisoners. Everyone joins in a prayer. Abigaille stumbles in. Having poisoned herself, she prays for God’s mercy, collapsing as Zaccaria hails Nabucco king under God.

PRODUCTION CREDITS

Music preparation
Stephen Clarke, Richard Hetherington, Elizabeth Rowe, Peter Selwyn
Italian language coach
Marco Canepa

THE ROYAL OPERA

Patron

HRH The Prince of Wales

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

DIGITAL CAST SHEETS

We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.

You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.

Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.

Cast sheets generously supported by the Royal Opera House Endowment Fund.

SAFETY GUIDELINES

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Wearing a face mask is no longer required, but staff and visitors are welcome to wear one.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

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