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THE ROYAL OPERA

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

A co-production with Opera Vlaanderen

Generous philanthropic support from Mrs Aline Foriel-Destezet

Generous philanthropic support from Julia and Hans Rausing, Aud Jebsen, Bertrand and Elisabeth Meunier, John G. Turner and Jerry G. Fischer, The Wagner Circle, The Lohengrin Production Syndicate and an anonymous donor

The role of Lohengrin is supported by David and Clare Kershaw

Lohengrin

Romantische oper in three acts

14.05.2022 12:00

The 294th performance by The Royal Opera at the Royal Opera House.

APPROXIMATE TIMINGS

The performance lasts about 4 hours 35 minutes, including two intervals.
Act I
65 minutes
Interval
30 minutes
Act II
85 minutes
Interval
25 minutes
Act III
70 minutes

GUIDANCE

Flashing lights

There will be flickering projection effects during this performance. Approximately 25 minutes into Act I they will last three minutes. At four and eight minutes into Act II they will last 30 seconds each time. Approximately 50 minutes into Act III they will last three minutes.

CREDITS

Company
The Royal Opera
Music
Richard Wagner
Libretto
Richard Wagner
Director
David Alden
Revival Director
Peter Relton
Set Designer
Paul Steinberg
Costume Designer
Gideon Davey
Lighting Designer
Adam Silverman
Video Designer
Tal Rosner
Movement Director
Maxine Braham

CAST

Conducted by
Jakub Hrůša
Herald
Derek Welton
King Heinrich
Gábor Bretz
Telramund
Craig Colclough replaces Kostas Smoriginas
Ortrud
Maida Hundeling
Elsa von Brabant
Jennifer Davis
Lohengrin
Brandon Jovanovich
First follower of Telramund
Elgan Llyr Thomas
Second follower of Telramund
Thando Mjandana
Third follower of Telramund
Matthew Durkan
Fourth follower of Telramund
Thomas D. Hopkinson
Four women at the weddings
Katy Batho, Deborah Peake-Jones, Renata Skarelyte, Louise Armit
Bridesmaids
Kathryn Jenkin, Kiera Lyness, Tamsin Coombs, Emma Smith, Andrea Hazell, Cari Searle, Amanda Baldwin, Elizabeth Key
Gottfried
Jude O'Sullivan Whiting
Orchestra
Orchestra of the Royal Opera House
Guest Concert Master
Magnus Johnston
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding

Thando Mjandana is a member of The Jette Parker Young Artists anniversary company

Extra Chorus

Sopranos Susan Boyd, Jessica Broad, Bernadette Lord, Alison Rayner, Juliet Schiemann, Rosalind Waters, Rachel Wolseley, Vanessa Woodfine

Mezzo-sopranos Jeanette Ager, Maria Brown, Siobhain Gibson, Zoë Haydn, Maria Jones, Hyacinth Nicholls, Jennifer Westwood, Sidonie Winter

Tenors Robert Amon, Phillip Bell, Simon Biazeck, Phillip Brown, Andrew Burden, Andrew Busher, Jonathan English, Darrell Forkin, Andrew Friedhoff, James Geer, Andrew Mackenzie-Wicks, Richard Monk, Richard Reaville, James Scarlett, Alex Wall

Basses James Birchall, Mark Campbell-Griffiths, Eugene Dillon-Hooper, Oliver Gibbs, Gavin Horsley, Darron Moore, John Morgan, Martin Nelson, Simon Preece, Mark Saberton, Jochen Van Ast, Jonathan Wood

Actors Chris Agha, Andrew Hayler, Michael Larcombe, Jamal Lowe, Sam Morris, Lucas Piquero, Sebastian Rose, Luke Sheppard, James Unsworth, Harry Winchester

SYNOPSIS

When the Duke of Brabant died, he left his children Elsa and Gottfried in the care of Friedrich von Telramund. Gottfried has mysteriously disappeared, and Telramund has accused Elsa of his murder.

ACT I

King Heinrich has arrived in Antwerp to recruit the Brabantines to join him in defending Germany against Hungarian invasion. Telramund tells the King that Gottfried of Brabant has been murdered by his sister Elsa, and claims the dukedom. The Herald summons Elsa. Elsa tells the King how she prayed to God in her distress, and saw a vision of a knight who will vindicate her. Telramund demands that Elsa’s defender fight him in single combat. The Herald orders Elsa’s champion to appear. As Elsa prays, a stranger (Lohengrin) mysteriously arrives. He offers to fight for Elsa on one condition: that she never asks his name or where he comes from. Elsa agrees and they vow to be faithful to each other. As the men prepare to fight, King Heinrich leads the Brabantines in prayer. Lohengrin defeats Telramund but spares his life. Elsa rejoices, but Telramund’s wife Ortrud rages at her husband’s defeat.

INTERVAL

ACT II

Telramund blames Ortrud for his public disgrace: it was on her suggestion that he accused Elsa. He feels that God has punished him, but Ortrud scorns the Christian God, and urges Telramund to vengeance. She argues that if Elsa persuades her knight to reveal his name, he will lose his magical powers. Elsa arrives, and Ortrud confides in her, telling her that she fears that she and Telramund will be banished. Elsa promises to protect Ortrud. Ortrud secretly calls on the pagan gods to aid her revenge, before falsely promising to serve Elsa, and sowing seeds of doubt in Elsa’s mind about her mysterious future husband.

The Herald informs the Brabantines that Telramund is an outlaw, and that Elsa’s knight – the newly-crowned Protector of Brabant – will lead the Brabantines into battle for King Heinrich. While most of the Brabantines rejoice at this news, Telramund promises a small, resentful group that he will help them destroy the stranger.

The wedding celebrations are interrupted by Ortrud, who accuses Elsa’s knight of sorcery, and declares that Telramund was wrongly accused. Telramund bursts in and challenges Lohengrin to reveal his name – but the bridegroom replies that he will answer only to Elsa. He appeals to his bride, who promises never to doubt him, and the wedding celebrations continue.

INTERVAL

ACT III

Following the wedding, bridesmaids accompany Elsa and her knight to their bedroom with a song. Alone with her husband, she recalls how he came to her in a dream – and wishes she could know his name. Despite Lohengrin’s reassurances, she becomes increasingly fearful that he will leave her, and hallucinates that she sees the swan returning to take him away. Unable to bear it, she asks him who he is, and where he comes from – and at that moment, Telramund breaks in and attacks Lohengrin. Lohengrin kills Telramund, and orders Elsa to go before the King, where he will tell her what she wishes to know.

The body of Telramund is brought before the King by the Brabantines. Lohengrin is summoned, and he informs Heinrich that he can no longer lead the people as their Protector. He admits to killing Telramund, describing how Elsa broke her promise to him, and reveals his identity at last: he is Lohengrin, from the land of Monsalvat, and his father is Parsifal, guardian of the Holy Grail.

Now the Grail summons him home. Elsa begs for forgiveness, but in vain: the swan returns. Lohengrin reveals to Elsa that the creature is her brother, Gottfried. Had she kept her vow, Gottfried would have been restored to her after a year. Ortrud reveals that she turned Gottfried into a swan, and that the pagan gods have had their revenge. In response, Lohengrin prays to the power of the Grail, and Gottfried resumes his human form. Lohengrin departs.

PRODUCTION CREDITS

Music Staff
Richard Hetherington, Christopher Willis, Mark Packwood, Edmund Whitehead, Erika Gundesen, Anthony Legge and Patrick Milne
Assistant Director
Matthew Monaghan
Fight Arranger
Lockhart Ogilvie
Assistant to the Movement Director
Luke Sheppard
German language coach
Franziska Roth

THE ROYAL OPERA

Patron

HRH The Prince of Wales

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

DIGITAL CAST SHEETS

We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.

You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.

Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.

Cast sheets generously supported by the Royal Opera House Endowment Fund.

SAFETY GUIDELINES

The safety of our visitors, staff and artists is still our priority and we continue to have strict cleaning regimes and enhanced ventilation in place. There are hand sanitiser stations throughout the building. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Wearing a face mask is no longer required, but staff and visitors are welcome to wear one.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

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