Royal Opera House logo

You can print the cast sheet by clicking the button below.
Please note that casting is subject to change up until the start of the performance. Please continue to check the website for the most up-to-date information.

THE ROYAL OPERA

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

Generous philanthropic support from Julia and Hans Rausing and the Patrons of Covent Garden

The edition of Così fan tutte used in these performances is published by Bärenreiter-Verlag Kassel, edited by Faye Ferguson and Wolfgang Rehm. Performed by arrangement with Faber Music Ltd, London

Così fan tutte

Opera buffa in two acts

28.06.2022 19:00

The 183rd performance by The Royal Opera at the Royal Opera House.

APPROXIMATE TIMINGS

The performance will last about 3 hours 15 minutes, including one interval.
Act I
85 minutes
Interval
25 minutes
Act II
85 minutes

GUIDANCE

Suitable for all.

CREDITS

Company
The Royal Opera
Music
Wolfgang Amadeus Mozart
Libretto
Lorenzo da Ponte
Director
Jan Philipp Gloger
Revival Director
Katharina Kastening
Set Designer
Ben Baur
Costume Designer
Karin Jud
Lighting Designer
Bernd Purkrabek
Dramaturg
Katharina John

CAST

Conducted by
Julia Jones
Ferrando
Bogdan Volkov
Guglielmo
Gordon Bintner
Don Alfonso
Lucio Gallo
Fiordiligi
Jennifer Davis
Dorabella
Julie Boulianne
Despina
Serena Gamberoni
Orchestra
Orchestra of the Royal Opera House
Guest Concert Master
Alexandra Wood
Fortepiano Continuo
Mark Packwood
Chorus
Royal Opera Chorus
Chorus Director
William Spaulding

Extra Chorus

Sopranos Elinor Rolfe Johnson, Anna Samant

Mezzo-soprano Jeanette Ager, Frances Jellard

Actors Natacha Bisarre, Lucy Brenchley, Chris Edgerley, Jamie Francis, Jonathon Hands, Suleiman Suleiman, Josh Thompson

SYNOPSIS

ACT I

Ferrando and Guglielmo discuss the fidelity of women with Don Alfonso. They claim that their own fiancées, Fiordiligi and Dorabella, are immune to any temptation. Don Alfonso insists that all women are unfaithful, and his two friends demand that he prove it. So Don Alfonso challenges them to a wager. He wants to show them both that even their girlfriends are no exception to the rule. The two of them agree to follow Don Alfonso’s instructions for the next 24 hours.

Fiordiligi and Dorabella are waiting for their lovers. But in their place, Don Alfonso arrives to announce that Guglielmo and Ferrando have been called up for military duty at short notice. They are just coming back to say their farewells.

Despina tries to comfort the two women over their loss and urges both Dorabella and Fiordiligi to find new lovers in the meantime. They are shocked at the idea.

Ferrando and Guglielmo return, disguised as foreigners. They remain unrecognized, and now begin to woo the two women. Despina helps them, but their efforts are in vain. The friends are rejected brusquely, and already begin to celebrate winning their wager. But they are too soon, as the agreed 24 hours are not yet over. While Ferrando ponders his love for Dorabella, Despina is preparing the next steps with Don Alfonso, raising the question as to the true nature of love.

The two spurned ‘foreigners’ now pretend to kill themselves. They succeed in impressing Dorabella and Fiordiligi, awakening their pity. The two men are seemingly saved from death by Despina, now disguised as a healer. The women’s display of compassion encourages the men to try another attempt at courtship; this confuses Dorabella and Fiordiligi and they depart, furious. 

INTERVAL

ACT II

Despina shares her own experiences of love’s variety with the two women. Dorabella and Fiordiligi decide to engage with the two men, just for the fun of it. Each already has her own favourite – namely the fiancé of the other. A crisscrossing game ensues. Dorabella responds enthusiastically to Guglielmo’s courtship, while Fiordiligi struggles with conflicting feelings and desperately tries to find a way to preserve her honour and innocence. Guglielmo reports to Ferrando his experiences with Dorabella. Despite her betrayal, Ferrando still feels deeply committed to her, though she meanwhile seems to have taken on Despina’s views wholesale. Ultimately, the despairing Fiordiligi also follows her on this path, falling in love with Ferrando. Don Alfonso sees his beliefs confirmed: ‘Così fan tutte – that’s how all are!’. 

Fiordiligi and Dorabella are ready to marry their new lovers. Despina pretends to be a notary and issues the marriage contracts. The new couples sign them. Don Alfonso now unexpectedly announces the return of the women’s original fiancés. Guglielmo and Ferrando reveal their true identities. The irritation is considerable; the experiment has succeeded, and nothing is how it was before. 

PRODUCTION CREDITS

Music preparation
Richard Hetherington, Cameron Burns, Mark Packwood
Assistant Director
Alicia Frost
Language Coach
Emma Abbate

THE ROYAL OPERA

Patron

HRH The Prince of Wales

Music Director

Sir Antonio Pappano

Director of Opera

Oliver Mears

Director of Casting

Peter Mario Katona

Administrative Director

Cormac Simms

DIGITAL CAST SHEETS

We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.

You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.

Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.

Cast sheets generously supported by the Royal Opera House Endowment Fund.

SAFETY GUIDELINES

The safety of our visitors, staff and artists is still our priority and we continue to have strict cleaning regimes and enhanced ventilation in place. There are hand sanitiser stations throughout the building. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.

Wearing a face mask is no longer required, but staff and visitors are welcome to wear one.

SUPPORT OUR ONGOING RECOVERY

We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.

 

roh.org.uk/donate