Live Cinema Season

Anastasia (2016)

Recorded | Ballet

Running time: About 2 hours 45 minutes, including two intervals

Anastasia (2016)

Kenneth MacMillan’s full-length ballet is a compelling exploration of identity in the turbulent wake of the Russian Revolution.

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The story

Events overtake the young Grand Duchess Anastasia Romanov and her family: World War I is declared, and then the Russian Revolution brings their privileged lives to an end.

A woman who believes herself to be Anastasia, sole survivor from the massacre of the Romanovs, is incarcerated in an asylum. Memory and fantasy intermingle; she recalls her rescue, the death of her husband, the disappearance of her child and her attempted suicide. But, despite her nightmares, her faith in her own identity cannot be shaken.

Background

Kenneth MacMillan created the one-act ballet Anastasia for Deutsche Oper Ballet in 1967. He was inspired by the true story of Anna Anderson, a woman who believed herself to be Anastasia, youngest daughter of Tsar Nicholas II and the only survivor from the assassination of the Romanovs in 1918. Leaving the audience to decide the legitimacy of Anna’s claims, MacMillan created a haunting, expressionist work to Martinů’s Sixth Symphony, in which Anna is visited by confused nightmares of her life from the time of the massacre to her discovery in Berlin in 1920. The ballet won widespread acclaim on its premiere, particularly for the central performance of Lynn Seymour in the anguished title role. As MacMillan said in 1971, ‘I found in [Anna’s] story a theme that has sometimes appeared in my work before: the Outsider figure. Anastasia seems to me to be a supreme example of this’.

One of MacMillan’s first creative acts on becoming Director of The Royal Ballet was to adapt Anastasia into a three-act, full-length work, his first for the Company since Romeo and Juliet. He created two preceding acts to the Berlin act, using music by Tchaikovsky to explore Anna’s ‘memory’ of events in the Imperial family leading up to the Russian Revolution – providing a powerful context for the disturbed Anna’s nightmares of the final act. The full ballet, first performed in 1971, was a declaration of intent: it showcased MacMillan’s dual influences, of classical, Royal Ballet tradition in the first two acts, and of German expressionism – a style then entirely new to British audiences – in the final. The ballet remains one of MacMillan’s most experimental and poignant works.

Credits

Choreography
Kenneth MacMillan
Music
Pyotr Il’yich Tchaikovsky and Bohuslav Martinů
Electronic music
Fritz Winckel and Rüdiger Rüfer
Production realization
Deborah MacMillan
Designer
Bob Crowley
Lighting designer
John B. Read
Performed by
The Royal Ballet

Performers

Conductor
Simon Hewett
Anastasia / Anna Anderson
Natalia Osipova
Mathilde Kschessinska
Marianela Nuñez
Kshchessinska’s Partner
Federico Bonelli
The Husband
Edward Watson
Rasputin
Thiago Soares
Tsarina Alexandra Feodorovna
Christina Arestis
Tsar Nicholas II
Christopher Saunders
Grand Duchess Olga
Olivia Cowley
Grand Duchess Tatiana
Beatriz Stix-Brunell
Grand Duchess Marie
Yasmine Naghdi
Anna Vyrubova
Kristen McNally
Tsar's Aide-de-Camp
Alastair Marriott
Officers
Maid
Mica Bradbury
Revolutionary
Vincenzo Di Primo
Brother
Tristan Dyer
Concert Master
Sergey Levitin
Orchestra
Orchestra of the Royal Opera House

Anastasia Digital Programme

Anastasia Digital Programme
£2.99

Digital Programmes bring together a range of specially selected films, audio clips, pictures, articles, features, news and information, as well as exclusives and updates, and highlights from the Royal Opera House website, YouTube, SoundCloud and Flickr pages. Features are added as the performances approach, to enhance your experience of a production.

Cast sheets

Cast sheets are available as PDFs

News and features

To find out more visit the Anastasia (2016) production page.