Jon Clark

Jon Clark studied at Bretton Hall, Leeds University. His recent opera work includes Król Roger (The Royal Opera), Written on Skin (The Royal Opera, Aix-en-Provence, Toulouse, Amsterdam), The Perfect American (Madrid, English National Opera), Wozzeck, Caligula and The Return of Ulysses (ENO), Macbeth (Copenhagen), La bohème (Dutch National Opera, ENO) and Footfalls/Neither (Schiller Theatre, Berlin, Berlin State Opera). His recent theatre lighting designs include King Charles III (Almeida, also West End and Broadway), American Psycho and King Lear (Almeida), Lorax (Old Vic), Trelawney of the Wells (Donmar), Much Ado About Nothing, The Beaux Stratagem, Othello, The Effect, Hamlet, Collaborators, Greenland, The Cat in the Hat, Pains of Youth and Beauty and the Beast (National Theatre), Hamlet, The Tempest, King Lear, Twelfth Night and The Comedy of Errors (Royal Shakespeare Company), The Pride (Royal Court), A Season in the Congo and A Streetcar Named Desire (Young Vic) and The Commitments and Made in Dagenham (West End). He has also designed for dance companies internationally.