12 February 2015 at 3.59pm | 5 Comments
The Story Begins…
Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. But as they begin their quest, Tamino and his companion Papageno realize that things are not what they seem…
An Exquisite Fantasy
David McVicar’s production of Die Zauberflöte embraces both the seriousness and the comedy of Mozart’s opera, and takes the audience into a beautiful dreamlike world, where dancers turn into magical animals at the sound of Tamino’s flute, three boys arrive by flying machine and a rising golden sun hails a new dawn in the opera’s celebratory final chorus.
From Folksong to Fireworks
The score of Die Zauberflöte is extremely varied. The folksong-like arias of the robust ‘man of nature’ Papageno contrast with the coloratura fireworks of the Queen of the Night. Much of the music for the priests, and the duet of the Men in Armour, have a stately Baroque simplicity. There are exquisite lyrical solos for Pamina and Tamino. Extended passages – such as the finales to both acts, in which there is no spoken dialogue – look forward to German Romantic opera.
Mozart and Freemasonry
Mozart was an enthusiastic member of the Freemasons and many critics have seen Die Zauberflöte as being in part a Masonic allegory. The use of numbers in the score – particularly the number three – has been linked to Masonic rites, and it is possible that the wise Sarastro may have been modelled on Ignaz von Born, a scientist and prominent Viennese Freemason.
A Popular Success
Mozart wrote Die Zauberflöte for the Theater auf der Wieden, a suburban theatre in Vienna run by the larger-than-life actor and impresario Emanuel Schikaneder. As well as writing the libretto, Schikaneder was the first Papageno in the opera. At its premiere, Die Zauberflöte was acclaimed by the general public and by connoisseurs, including Mozart’s supposed rival Salieri, who adored it. Die Zauberflöte has been performed more than 300 times at the Royal Opera House.
Die Zauberflöte runs 12 September–14 October 2017. Tickets are still available.