Join us for an outstanding line up of opera and ballet
Whether your group is interested new works, classic productions, backstage tours or just want the experience of enjoying a live performance of opera or ballet, a visit to the Royal Opera House is a truly unforgettable event and our Group Sales department can help you get the most out of your visit to this magnificent venue with a range of benefits, services and discounts.
- Save on ten or more tickets booked for featured productions.
- Priority booking so you can take advantage of the best seats at the best prices.
- Book now, pay later* so you can make the necessary arrangements with your group.
- Dedicated group bookers' phone number +44 (0)20 7304 4002.
Please note that tickets for Spring group bookings will go on sale at 10am on 15 January 2019. Please click here for ticket price details.
Please note that tickets for Summer group bookings will go on sale at 10am on 19 March 2019. Please click here for ticket price details.
Spring Featured Productions
5–23 March 2019
Liam Scarlett's Frankenstein, his first full-length ballet for the Royal Opera House main stage, is an adaptation of Mary Shelley's classic Gothic novel. The score, composed for the ballet by Lowell Liebermann, sweeps the dramatic action towards its devastating end, while the detailed and chilling designs by John Macfarlane bring the Creature and the anatomy lab to terrifying life.
Scarlett's choreography is highly expressive and dramatic as it explores the grief and desperation felt by Victor and the Creature's childlike need for acceptance. The ballet's momentum is sustained by the whole Company, with fellow students pushing Victor further into isolation and obsession, couples swirling around the stage in a dark waltz at his wedding, and the inevitable, tragic end.
11 April—6 May 2019
Disillusioned with life, the aged philosopher Faust calls upon Satan to help him. The devil Méphistophélès appears and strikes a bargain with the philosopher: he will give him youth and the love of the beautiful Marguerite, if Faust will hand over his soul. Faust agrees, and Méphistophélès arranges matters so that Marguerite loses interest in her suitor Siébel and becomes infatuated with Faust.
Faust initially seems to love Marguerite in return, but soon abandons her. Her brother Valentin returns from the war and is furious to find his sister pregnant. Will Faust repent his destructive actions, and can his soul, and Marguerite's, be saved?
Summer Featured Productions
22 June–20 July 2019
Award-winning director Barrie Kosky provides a refreshing perspective on this well-known opera. He explores Carmen's ever-changing nature - marked by her series of contrasting costumes - and her vitality through dance. The pre-recorded voice of a narrator (perhaps Carmen herself) ensures that we experience the whole story from her perspective, and the production's unique performing edition (by Michael Rot) offers a chance for audience members to hear music Bizet omitted from the opera's first performances.
Carmen had only lukewarm success at its 1875 premiere - perhaps due to its unconventional subject - but soon became immensely popular, and has remained so. Its glorious score boasts a host of wonderful melodies, including Carmen's sensual Habanera and Seguidilla, Don José's tender Flower Aria and Escamillo's rousing Toreador's Song. There are also passionate duologues, above all the intense, final confrontation between Carmen and Don José.
19 June–3 July 2019
Boris Godunov is one of the most dramatically rewarding bass-baritone roles: a noble ruler who loves his children and his people, but whose thirst for power has led him to commit a terrible crime. Musorgsky traces the Tsar's downfall with psychological acuity, from the nobility of his Coronation to his tragic end in one of opera's most affecting death scenes. Other highlights include the stirring chorus that opens and closes the Coronation Scene (based on a Russian folksong), Pimen's austere monologue in Scene 7 and the comic interlude with the monks Varlaam and Missail in Scene 4. Richard Jones's insightful production reflects the conflict between Boris's public persona and his private guilt through a set in which the murder of the Tsarevitch Dmitry is ritually re-enacted in a high vaulted room.
Musorgsky was inspired to compose Boris Godunov after reading Pushkin's Shakespeare-inspired play of the same name. He completed his first version of the opera in 1869, but it was rejected by the Imperial Theatres Directorate due to its lack of lyricism and significant female characters. Musorgsky's revised 1872 version - which contained more formal arias, several additional characters and a new act - received its premiere in 1874 at the Mariinsky Theatre, St Petersburg. The Royal Opera performs the composer's original version, which has a predominantly naturalistic and declamatory vocal style, and in which the story remains focused on Boris throughout.
How to book
We can offer great group rates for groups of 10 or more. Group tickets can be booked through our Group Sales Department by email at firstname.lastname@example.org or by telephone on +44 (0)20 7304 4002.
Getting here and coach access
There is a coach drop off and pick up point on Russell Street. Find out more about getting to the Royal Opera House.
*Only available for certain productions.