A selection of audience responses to The Royal Ballet's performance of 'Emeralds', 'Rubies' and 'Diamonds', relayed to cinemas across the world.
Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel – but not forget her.
Jules Massenet began thinking about making an opera from Goethe’s Die Leiden des jungen Werthers (1774; The Sorrows of Young Werther) as early as 1880, before he started work on Manon – though in his memoirs he claimed inspiration came in 1886 during a visit to Bayreuth to see Wagner’s Parsifal. He began the score in 1885 and finished it in 1887, but Werther’s premiere did not come until 1892, when the Vienna Hofoper requested another Massenet work after the success of the local premiere of Manon. It has been a permanent part of the international repertory since 1903. Werther and Manon have proved Massenet’s most enduringly popular works.
- Jules Massenet
- Edouard Blau, Paul Milliet and Georges Hartmann
- Benoît Jacquot
- Set and lighting designer
- Charles Edwards
- Costume designer
- Christian Gasc
- Performed by
- The Royal Opera
Werther Digital Programme
Digital Programmes bring together a range of specially selected films, audio clips, pictures, articles, features, news and information, as well as exclusives and updates, and highlights from the Royal Opera House website, YouTube, SoundCloud and Flickr pages. Features are added as the performances approach, to enhance your experience of a production.
News and features
The Royal Ballet's performance of this delightful three-act work will be broadcast from the Royal Opera House to cinemas around the world.
Newly announced programme includes six Royal Opera and six Royal Ballet productions screened live in cinemas across the world.
To find out more visit the Werther (2016) production page.