Most recent performance
There are currently no scheduled performances of Voices of Spring. It was last on stage 12–23 February 2013.
A ballerina and her partner follow the swirling melodies of Johann Strauss II’s Frühlingsstimmen waltz with show-stopping choreography.
Voices of Spring is set to the Frühlingsstimmen waltz (1883) by Johann Strauss II. Frederick Ashton created the piece for The Royal Opera’s 1977 production of Strauss’s Die Fledermaus, where it replaced one of the score’s original numbers in the second-act ball scene. The piece was renamed Voices of Spring and given its first performance independent from the operetta in a gala in Los Angeles the following year. From the opening tableau through to the dance’s low lifts, Ashton’s steps interpret the sense of effortless, gravity-defying movement that defines the waltz.
Frederick Ashton created more than one hundred works during his lifetime (1904–88). For further information, please visit www.frederickashton.org.uk.
News and features
Divertissements Ballet Essentials: A guide to short works performed by The Royal Ballet on their 2015 US Tour15 June 2015
The Company’s selection includes classic works by Ashton and MacMillan, an award-winning recent work by Wheeldon and new piece from within the Company.
19 May 2015
The three-week tour will see the Company perform in Washington D.C., Chicago and New York.
15 July 2013
Mixed programme stars Edward Watson, Marianela Nuñez, Federico Bonelli, Sergei Polunin and others.
5 April 2013
UK audiences can relive Tamara Rojo's final ROH performance on 15 July.
18 February 2013
Fascinating insights from ballet greats into the creative process of The Royal Ballet's Founder Choreographer.
Voices of Spring is a short pas de deux ballet by Sir Frederick Ashton, set to the music of the Frühlingsstimmen waltz by Johann Strauss. It was originally written to be included as a divertissement in a 1977-8 production of Strauss's opera Die Fledermaus by the Royal Opera, alongside an adaptation of the Explosionspolka, and first performed as an independent piece by the Royal Ballet in late 1978.