Most recent performance
There are currently no scheduled performances of The Minotaur. It was last on stage 17–28 January 2013 as part of the Autumn 2012/13 season.
The Minotaur – half-bull, half-man – has been imprisoned in a labyrinth on the island of Crete. Young men and women are sacrificed to him each year to repay an old debt. Can Theseus end this bloodshed?
Harrison Birtwistle's reading of this ancient Greek myth focuses on the troubled inner world of the Minotaur, and his longing to discover his true identity and voice. Poet David Harsent provides a libretto of lyrical intensity, continuing a rich, creative partnership with Birtwistle – the pair have worked on a number of operas together, including Gawain, which was also commissioned by The Royal Opera and first performed here in 1991.
The Minotaur brings a raw and visceral dramatic world to the stage. The Overture is played against a backdrop of menacing waves, which herald the darkness to come. Alison Chitty's elegant designs reimagine the centre of the labyrinth as an amphitheatre-like space, where the Minotaur gores his victims. But the Minotaur also has a human side – during his dreams he acquires language and gives voice to his dark existence in monologues of poignant power. The central role, written for the acclaimed bass John Tomlinson, wears a bull's head mask, reminiscent of those used in ancient Greek rituals.
News and features
23 September 2013
As The Royal Opera revives Elektra, we explore other examples of legends on the lyric stage.
12 August 2013
Following Birtwistle's the UK premiere of Moth Requiem at the BBC Proms, a look at how the composer creates his signature sounds.
23 January 2013
The British conductor and composer speaks about Harrison Birtwistle's mythical opera.
18 January 2013
Your tweets about the opening night of Harrison Birtwistle's mythical opera.
11 January 2013
As the mythical Minotaur returns to the main stage, an introduction to Harrison Birtwistle's acclaimed opera.
21 November 2012
From The Minotaur to Anna Nicole: some recent role creations in Royal Opera commissions.