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The Four Temperaments

27 March—14 April 2015
Main Stage

Balanchine created a new style of ballet in this radiant and challenging piece, one of his greatest works.

When to see it

This work is being performed as part of a mixed programme:

The Four Temperaments / Hofesh Shechter / Song of the Earth

Masterpieces by Balanchine and MacMillan frame a world premiere from Hofesh Shechter in The Royal Ballet's thrilling mixed programme.

Introduction

The prelude introduces the three-part theme, then reworked in four variations based on the medieval theory of the four temperaments: Melancholic (sad, pensive), Sanguinic (confident), Phlegmatic (impassive) and Choleric (angry).

Background

The premiere of George Balanchine's Four Temperaments in New York on 20 November 1946 was immediately recognized as a pivotal moment in modern ballet. Balanchine's reinvention of classical ballet was entirely unique – a powerful, weird and breathtakingly musical style of dance, in which Balanchine created an ecstatic visualization of Paul Hindemith's specially commissioned 1940 score. The ballet was first performed at the Royal Opera House by New York City Ballet in 1950, and was taken into The Royal Ballet's repertory in 1973.

Four Temperaments was created for the inaugural concert of the Ballet Society (which would later become NYCB). Fussy original designs by Kurt Seligmann were soon exchanged for the practice clothes and bare set used today, in which Balanchine's distinctive language takes centre stage. The nature of the medieval four temperaments guide Hindemith's score – an animated dialogue between piano and string orchestra – but Balanchine's choreography is not programmatic. Rather, it is a crystalline response to Hindemith's music, in which simple movements such as flexed feet, legs in attitude and slinking hip-first lunges become recurring motifs. A series of fiercely challenging solos and ensembles builds to a radiant climax, with couples soaring across the stage.

News and features

  1. Spring Season 2014/15

    28 March 2014

    Kasper Holten’s new production of Karol Szymanowski’s Król Roger opens in the Spring Season. Royal Ballet highlights include Frederick Ashton’s English classic La Fille mal gardée, and a new work by leading choreographer Hofesh Shechter.

On Wikipedia

The Four Temperaments is a ballet made by New York City Ballet co-founder and balletmaster George Balanchine to music he commissioned from Paul Hindemith (the latter's eponymous 1940 music for string orchestra and piano) for the opening program of Ballet Society, immediate forerunner of City Ballet. The première took place on Wednesday, November 20th, 1946, at the Central High School of Needle Trades, New York City, with mise en scène by Kurt Seligmann and lighting by Jean Rosenthal. Leon Barzin conducted and the pianist was Nicholas Kopeikine. The City Ballet première was held in 1951 in practice clothes and without scenery; in 1964 it received new lighting at the New York State Theater, Lincoln Center, by David Hays. NYCB principal dancer Albert Evans chose to include The Four Temperaments in his farewell performance, Sunday, June 20th, 2010.

Abstract taken from the Wikipedia article The Four Temperaments (ballet), available under a Creative Commons license.