Royal Opera House brandmark
Home > Productions > The Dream

The Dream

31 May - 13 June 2014 |

Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet.

Photos

  • Steven McRae and Alina Cojocaru in The Dream © Johan Persson/ROH 2012
  • The Dream © Dee Conway/ROH 2012

When to see it

Part of a mixed Programme, These works are performed together

The Dream / New Marriott / The Concert

A world premiere and two comic masterpieces make this a delightful evening of exuberant humour and flights of fancy.

Booking for 31 May 2014 - 13 June 2014 opens

The Dream / New Marriott / The Concert

Saturday 31 May 2014, 7.00pm | Main Stage
      Not on sale

      The Dream / New Marriott / The Concert

      Thursday 5 June 2014, 7.30pm | Main Stage
          Not on sale

          The Dream / New Marriott / The Concert

          Friday 6 June 2014, 7.30pm | Main Stage
              Not on sale

              The Dream / New Marriott / The Concert

              Tuesday 10 June 2014, 7.30pm | Main Stage
                  Not on sale

                  The Dream / New Marriott / The Concert

                  Thursday 12 June 2014, 7.30pm | Main Stage
                      Not on sale

                      The Dream / New Marriott / The Concert

                      Friday 13 June 2014, 7.30pm | Main Stage
                          Not on sale

                          Introduction

                          A disagreement between Oberon, King of the Fairies, and his Queen, Titania, escalates, resulting in comic misunderstandings and the collision of human and supernatural worlds.

                          Background

                          Frederick Ashton’s The Dream is based on William Shakespeare’s A Midsummer Night’s Dream. The ballet had its premiere in 1964 as part of a Royal Ballet programme commemorating the 400th anniversary of Shakespeare’s birth. It was performed alongside Kenneth MacMillan’s Images of Love and Robert Helpmann’s Hamlet – both also based on works by Shakespeare. The roles of Oberon and Titania were created for Anthony Dowell and Antoinette Sibley, marking the beginning of their enduring and celebrated dance partnership.

                          Ashton captures all the comic confusion of Shakespeare’s play in inventive choreography. The high-spirited misadventures of the two pairs of mortal lovers combine with the humorous cavorting of Bottom, who dances en pointe after being transformed into an ass. The ballet culminates in a powerful pas de deux for Oberon and Titania, which moves through a stormy conflict of wills to a harmonious union. Felix Mendelssohn’s incidental music for the play, including the well-known Overture, Scherzo, Nocturne and Wedding March, provides a perfect partner to Ashton’s choreography.

                          Credits

                          ChoreographyFrederick Ashton
                          ComposerFelix Mendelssohn
                          Set DesignerDavid Walker
                          Costume DesignerDavid Walker
                          Lighting DesignerJohn B Read
                          StagingChristopher Carr
                          StagingAnthony Dowell

                          Cookies on the Royal Opera House website

                          The way we handle cookies is changing. If you want to disable non-essential cookies you must now use your browser settings. Read more about why we have made this change and find out how to update your cookie settings. If you continue using the website we'll assume that you are happy for your browser to store cookies set by the Royal Opera House.

                          Cookies on the Royal Opera House website

                          We use cookies to ensure that we give you the best experience. If you continue using the website we'll assume that you are happy for your browser to store cookies set by the Royal Opera House. Learn more about our cookie usage and how to change your cookie settings.