When to see it
These events are part of the Summer 2015 season.
Each work distills a moment in Classical mythology. In The Corridor Orpheus is leading his wife Eurydice from death into life. In The Cure the sorceress Medea applies her witchcraft to the aged Aeson, father of Jason, who is near death.
Read more… (Contains spoilers)
Harrison Birtwistle is one of the most significant figures in contemporary music. This double programme of his chamber operas features a new production of the acclaimed 2009 opera The Corridor, written to open the 62nd Aldeburgh Festival; and its newly-composed companion piece The Cure, a co-commission between The Royal Opera, Aldeburgh Music and London Sinfonietta. Each is a collaboration with librettist David Harsent, who previously worked with Birtwistle on The Minotaur – and, like that work, each returns to Birtwistle's recurrent obsession with Classical mythology.
The Cure draws on an episode in Ovid's Metamorphoses, in which Medea uses her powers to rebirth her lover's ageing father. In The Corridor Birtwistle focuses on the pivotal moment in the tragedy of Orpheus and Eurydice. Birtwistle has described The Corridor 'as a single movement from the Orpheus story magnified, like a photographic blow-up… I've thought of it as virtuosic, close-up chamber theatre'.
The Corridor is a chamber opera composed by Harrison Birtwistle to an English language libretto by David Harsent. It premiered at the Aldeburgh Festival on 12 June 2009. The title refers to the corridor through which Orpheus and Eurydice passed as he was leading her from the underworld.