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Siegfried

Keith Warner’s production of the third opera in Wagner's epic Ring cycle combines elemental forces with contemporary concerns.

Photos

  • Bryn Terfel as Wanderer in Siegfried © Clive Barda / ROH 2012
  • Bryn Terfel as Wanderer and Maria Radner as Erda in Siegfried © Clive Barda / ROH 2012
  • Susan Bullock as Brunnhilde in Siegfried © Clive Barda / ROH 2012
  • John Treleaven as Siegfried and Gerhard Siegel as Mime in Siegfried © Clive Barda/ROH 2007
  • John Treleaven as Siegfried and Ailish Tynan as Woodbird in Siegfried  © Clive Barda/ROH 2007
  • John Tomlinson as Wanderer and Gerhard Siegel as Mime in Siegfried © Clive Barda/ROH 2007
  • John Tomlinson as Wotan and Peter Sidhom as Alberich in Siegfried © Clive Barda/ROH 2007
  • Gerhard Siegel as Mime in Siegfried © Clive Barda/ROH 2007
  • Ailish Tynan as Woodbird in Siegfried © Clive Barda/ROH 2007

Introduction

Mime has raised young Siegfried to steal an all-powerful ring, guarded by a dragon. But as Siegfried approaches maturity, he yearns to find the truth about his origins and rebels against his dubious guardian.

Background

Richard Wagner’s Der Ring des Nibelungen continues with Siegfried’s search for his true identity in the third opera of the cycle. Wagner broke off composition at the end of Act II to write Tristan und Isolde and Die Meistersinger von Nürnberg, experimenting both with tragic passion and comedy. Seven years later he completed Act III of Siegfried, which is characterized by music of warm lyricism: Brünnhilde awakes from her sleep and declares her love for Siegfried in one of the composer’s most ecstatic duets.

Siegfried contains some of the most comic elements in the Ring cycle, including Siegfried's rustic Forging Song in Act I and playful melodies as he returns home to taunt Mime with a bear. There are also exquisite lyrical passages for orchestra, including evocative Forest Murmurs in Act II and Siegfried’s journey to Brünnhilde in Act III. However, in Keith Warner’s inventive production, the narrative of the gods' decline is never absent from the stage. A crashed plane evokes Wotan's failed ambitions and recurring images of spirals suggest the DNA helix – an ongoing life force that is greater even than the gods.

The Ring Cycle

This production is part of The Ring Cycle

Thanks to

Originally made possible by

The Dalriada Trust

How to support the Royal Opera House

Running time

About 6 hours | Including two intervals

Act 1 will last for about 1 hour 15 minutes, followed by a 30 minute interval. Act 2 will last for about 1 hour and 10 minutes, followed by an interval of 1 hour and 15 minutes. Act 3 will last for about 1 hour and 30 minutes.

Language

Sung in German with English surtitles

Credits

DirectorKeith Warner
Set designsStefanos Lazaridis
Costume designsMarie-Jeanne Lecca
Lighting designWolfgang Göbbel
Original Movement DirectorClaire Glaskin
VideoMic Pool
VideoDick Straker
Associate Set DesignerMatthew Deely

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