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Serenade

14 May - 26 May 2014 |

The music of Tchaikovsky is partnered with sublime choreography in one of Balanchine’s earliest and best-loved works.

Photos

  • The Royal Ballet in Serenade © ROH / Johan Persson, 2008

When to see it

Part of a mixed Programme, These works are performed together

Serenade / Sweet Violets / DGV

A mixed programme of exhilarating contrasts, from a dark Victorian melodrama to a celebration of hi-tech modernity.

Booking for 14 May 2014 - 26 May 2014 opens

Serenade / Sweet Violets / DGV: Danse à grande vitesse

Wednesday 14 May 2014, 7.30pm | Main Stage
      Not on sale

      Serenade / Sweet Violets / DGV: Danse à grande vitesse

      Saturday 17 May 2014, 12.00pm | Main Stage
          Not on sale

          Serenade / Sweet Violets / DGV: Danse à grande vitesse

          Wednesday 21 May 2014, 7.30pm | Main Stage
              Not on sale

              Serenade / Sweet Violets / DGV: Danse à grande vitesse

              Saturday 24 May 2014, 7.00pm | Main Stage
                  Not on sale

                  Serenade / Sweet Violets / DGV: Danse à grande vitesse

                  Monday 26 May 2014, 1.30pm | Main Stage
                      Not on sale

                      Serenade / Sweet Violets / DGV: Danse à grande vitesse

                      Monday 26 May 2014, 7.00pm | Main Stage
                          Not on sale

                          Introduction

                          This non-narrative ballet evokes a succession of shifting moods, taking its inspiration from the music, Tchaikovsky’s Serenade for Strings.

                          Background

                          Serenade was the first ballet that George Balanchine made after arriving in the United States in 1933. It was created on students in his newly formed School of American Ballet and retains a hint of its classroom origins. The opening tableau – 17 dancers assembled in slanting lines – was determined by the number of students who came to the first class. When one girl arrived late and another fell and started to cry, Balanchine absorbed the incidents into his choreography.

                          Balanchine described Serenade as ‘dancers in motion to a beautiful piece of music’. The corps de ballet is in near-constant movement, flowing in and out of patterns with an extraordinary sense of speed. Although 80 years old, Serenade is one of Balanchine’s most popular works – as loved by audiences and dancers as it was by its creator. Balanchine continued to rework the ballet throughout his lifetime, and it is now regularly performed by companies around the world.

                          Credits

                          ChoreographyGeorge Balanchine
                          ComposerPyotr Il'yich Tchaikovsky
                          Costume DesignerBarbara Karinska
                          Original lighting designRonald Bates

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