Most recent performance
There are currently no scheduled performances of Scènes de ballet. It was last on stage 18 October—12 November 2014.
Drawing on the choreographic language of Marius Petipa, Ashton creates a classical grand pas de deux, with ensemble dances, variations for the two principals and a final, ecstatic apotheosis.
Frederick Ashton's Scènes de ballet was one of the choreographer's favourite works. He described its 'distant, uncompromising beauty, which says I am here, beautiful, but I will make no effort to charm you'. Its icy glamour was inspired by Stravinsky's neoclassical score, itself both an impertinent and strictly formal take on the classical Tchaikovsky pas de deux. Ashton adapted the romantic choreography of Tchaikovsky's dance counterpart, Marius Petipa, while matching Stravinsky's hard-edged geometry to create a ballet with breathtaking floor patterns.
Margot Fonteyn and Michael Somes created the central couple in the ballet's premiere on 11 February 1948. French artist André Beaurepaire designed the sets and costumes, creating devastatingly chic takes on classical tutus and tunics decorated with geometric patterns. Ashton insisted on pearl bracelets and chokers for the women, highlighting them in his choreography with wrist flicks and coquettish nods. Patterns pile on patterns towards an increasingly elaborate climax in Ashton's most modernist work, as much a celebration as a witty reworking of ballet's traditions.
Frederick Ashton created more than one hundred works during his lifetime (1904–88). For further information, please visit www.frederickashton.org.uk.
News and features
23 October 2014
22 October 2014
21 October 2014
17 October 2014
6 October 2014
(This article is about the Ashton ballet. For John Taras' 1972 ballet, see Scènes de ballet (Taras). For Christopher Wheeldon's 1999 ballet (all three are to the same music), see Scènes de ballet (Wheeldon). For Stravinsky's composition, see Scènes de ballet (Stravinsky). ) Scènes de ballet is a one-act ballet choreographed by Frederick Ashton, who created it during 1947–48 to Igor Stravinsky's eponymous music from 1944. The first performance was given by the Sadler's Wells Ballet, at the Royal Opera House, London.