Salome, the troubled stepdaughter of Herod, has an unhealthy attraction to the devout John the Baptist. Torn between lust and hatred of her life at the corrupt court, she pushes her demands to the most extreme limits.
News and features
21 July 2014
Strauss is often the favourite composer of percussionists, offering plenty of things to hit, chime and ring.
27 June 2014
Composers from Purcell to Turnage bring the audience onstage by writing them into the music.
26 June 2014
Without the Austrian director, we wouldn't have the vision-led operas we love to debate today.
2 June 2014
With an ever-watching eye on his bank account, Strauss created and released a series of orchestral highlights ('Querschnitt' in German) from his operas.
20 April 2014
Kaiser Wilhelm II nearly banned Strauss's opera Salome, so shocking was its content.
6 March 2014
Some of our favourite examples of the power of the unseen singer.
Richard Strauss brought an extravagant intensity to his adaptation of Oscar Wilde's play Salomé. The glitter of Herod's palace, the flicker of torches and the pale light of the moon, are all vividly evoked in a rich score. When Salome had its premiere in Dresden in 1905 it received 38 curtain calls and gave Strauss the reputation of a first-rank opera composer. Gustav Mahler called it 'one of the most important works of our day'.
The production's opening tableau introduces a world of debauchery. An elite indulges in a banquet on the upper floor, while servants, guards and prostitutes wait to be summoned in a grimy kitchen downstairs. Moral and physical decay is reinforced by Es Devlin's Art-Deco-inspired designs. The role of Salome blends innocence, sensuality and violence, and places immense demands on a singer. Strauss famously said the role was 'written for a 16-year-old with the voice of an Isolde'.