Most recent performance
There are currently no scheduled performances of Salome. It was last on stage 31 May—16 June 2012.
Salome, the troubled stepdaughter of Herod, has an unhealthy attraction to the devout John the Baptist. Torn between lust and hatred of her life at the corrupt court, she pushes her demands to the most extreme limits.
Richard Strauss brought an extravagant intensity to his adaptation of Oscar Wilde's play Salomé. The glitter of Herod's palace, the flicker of torches and the pale light of the moon, are all vividly evoked in a rich score. When Salome had its premiere in Dresden in 1905 it received 38 curtain calls and gave Strauss the reputation of a first-rank opera composer. Gustav Mahler called it 'one of the most important works of our day'.
The production's opening tableau introduces a world of debauchery. An elite indulges in a banquet on the upper floor, while servants, guards and prostitutes wait to be summoned in a grimy kitchen downstairs. Moral and physical decay is reinforced by Es Devlin's Art-Deco-inspired designs. The role of Salome blends innocence, sensuality and violence, and places immense demands on a singer. Strauss famously said the role was 'written for a 16-year-old with the voice of an Isolde'.
News and features
30 January 2017
From devils and rogues, to lovers and rulers – who says tenors have to have all the fun?
Debate: Are intervals a frustrating distraction from the drama or a valuable break to gather thoughts?24 February 2015
Which works do you think could do with an interval tweak?
5 December 2014
Curses, seduction and murder – why are operatic parties always doomed to end in tears?
11 August 2014
Our A-Z of Strauss series takes a closer look at the composer; from the debate over his Nazi sympathies, to his fondness for yodelling.
21 July 2014
Strauss is often the favourite composer of percussionists, offering plenty of things to hit, chime and ring.
27 June 2014
Composers from Purcell to Turnage bring the audience onstage by writing them into the music.
Salome, Op. 54, is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann's German translation of the French play Salomé by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos.