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Robert le diable

Laurent Pelly's production provides a rare opportunity to see this classic of French grand opera by Meyerbeer. Romance and the supernatural combine in a staging inspired by medieval France.

Photos

  • Bryan Hymel as Robert in Robert le diable © ROH / Bill Cooper  2012
  • John Reylea as Bertram in Robert le diable © ROH / Bill Cooper  2012
  • Marina Poplavskaya as Alice in Robert le diable © ROH / Bill Cooper  2012
  • John Reylea as Bertram in Robert le diable © ROH / Bill Cooper  2012
  • The Royal Opera in Robert le diable © ROH / Bill Cooper  2012
  • The Royal Opera in Robert le diable © ROH / Bill Cooper  2012
  • The Royal Opera in Robert le diable © ROH / Bill Cooper  2012
  • Jean-Francois Borras as Raimbaut and The Royal Opera Chorus in Robert le diable © ROH / Bill Cooper  2012
  • Jihoon Kim as Priest in Robert le diable © ROH / Bill Cooper  2012
  • John Reylea as Bertram and Marina Poplavskaya as Alice in Robert le diable © ROH / Bill Cooper  2012

Introduction

Robert, Duke of Normandy, has travelled to Sicily with the hope of marrying Princess Isabelle. But his sinister companion, Bertram, threatens to lead him astray.

News and features

Background

When Robert le diable opened at the Paris Opéra in 1831 it was an immediate success. Its blend of romance, the supernatural and grand spectacle was perfectly judged to meet the tastes of the French public and it made Giacomo Meyerbeer the star composer of grand opera. However, by the 20th century, Robert le diable had fallen out of favour and was rarely performed. Laurent Pelly's 2012 staging brought this classic work to Covent Garden for the first time since 1890.

The production draws on the art and architecture of the Middle Ages to recreate a world of carousing knights, jousting tournaments, courtly dances and supernatural visions. The action is propelled by a battle between good and evil, as Robert's genuine love for Isabelle, expressed in tender duets, is threatened by the malevolent influence of the deceptively charming Bertram. Meyerbeer's score is on a massive scale, ranging from introspective arias to grand ensembles and choruses. Highlights include Alice’s poignant aria in Act I, a macabre ballet of ghostly nuns in Act III (an inspiration for Giselle) and the final, impassioned ensemble of Act V, as Alice and Bertram struggle for Robert’s soul.

Thanks to

Co-production with the Grand Théâtre de Genève

Running time

About 4 hours 30 minutes | Including two intervals

Language

Sung in French with English surtitles

Credits

DirectorLaurent Pelly
ComposerGiacomo Meyerbeer
Set designsChantal Thomas
Costume designsLaurent Pelly
Lighting designDuane Schuler
ChoreographyLionel Hoche

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