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Otello

Jealousy, love and betrayal are a stormy combination in Elijah Moshinsky's classic production of Verdi's opera.

Photos

  • Aleksandrs Antonenko as Otello and Lucio Gallo as Iago in Otello. © ROH/Tristram Kenton 2012
  • Aleksandrs Antonenko as Otello, Anja Harteros as Desdemona and Antonio Poli as Cassio in Otello. © ROH/Tristram Kenton 2012
  • Aleksandrs Antonenko as Otello in Otello. © ROH/Tristram Kenton 2012
  • Aleksandrs Antonenko as Otello and Anja Harteros as Desdemona in Otello. © ROH/Tristram Kenton 2012
  • Aleksandrs Antonenko as Otello and Lucio Gallo as Iago in Otello. © ROH/Tristram Kenton 2012
  • Aleksandrs Antonenko as Otello and Anja Harteros as Desdemona in Otello. © ROH/Tristram Kenton 2012
  • Aleksandrs Antonenko as Otello in Otello. © ROH/Tristram Kenton 2012

Introduction

The Moorish general Otello has been appointed Governor of Cyprus and married the beautiful young Venetian Desdemona. But their happiness is threatened when Otello's ensign Iago begins to hint that Desdemona has been unfaithful.

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  • Shakespeare and opera

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Background

The premiere of Otello in 1887 was a major event. Giuseppe Verdi – the most famous Italian opera composer of his day – was 73 and had not written an opera for 16 years. His adaptation of Shakespeare’s play was instantly acclaimed and is considered by many to be one of his greatest works. The subtlety and range of Otello’s score capture Shakespeare’s poetry and display all Verdi’s talents as a music dramatist.

Otello opens with a storm at sea, accompanied by a burst of orchestral dissonance. In Iago, Verdi conjures up a terrifying portrait of evil. Iago's nihilistic worldview is expressed in his devastating ‘Credo’, contrasting with the purity and beauty of Desdemona’s music. The deterioration of her marriage with Otello is mapped in three duets, from the ecstatic love duet in Act I to the harrowing final exchange in Act III. Elijah Moshinsky’s masterly production was created in 1987 with Plácido Domingo in the title role. It uses Renaissance designs to capture an atmosphere of opulence and evil in which the tragedy is played out.

Running time

About 2 hours 55 minutes | Including one interval

Language

Sung in Italian with English surtitles

Credits

DirectorElijah Moshinsky
Set designsTimothy O'Brien
Costume designsPeter J Hall
Lighting designsRobert Bryan
Movement DirectorMichael Popper
Movement ConsultantEleanor Fazan
Fight directorWilliam Hobbs

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