When to see it
These events are part of the Winter 2014/15 season.
When sensitive Tatiana declares her love for the dashing Eugene Onegin, he coldly rejects her. He idly flirts with her sister, Olga, enraging her fiancé and Onegin's only friend, Lensky, who challenges Onegin to a duel.
Read more… (Contains spoilers)
John Cranko became acquainted with Alexander Pushkin’s verse-novel Eugene Onegin when he choreographed the dances for Pyotr Il'yich Tchaikovsky’s opera of the same name in 1952. He created his own distinctive version of Pushkin’s work in 1965 for the Stuttgart Ballet. Onegin displays all of Cranko’s genius as a narrative choreographer, featuring finely drawn characters who are transformed by the conflicts they face.
Onegin and Tatiana’s relationship is depicted in intense duets, such as the letter-writing scene, when the youthful Tatiana dances a dream pas de deux with her longed-for lover. The role of Tatiana offers a ballerina many challenges – the development of a bookish country girl into a sophisticated woman at the pinnacle of St Petersburg society requires dramatic sensibility and technical finesse. Cranko’s choreography incorporates an eclectic range of dance forms, including folk, modern, ballroom and acrobatic. Kurt-Heinz Stolze, Kapellmeister for Stuttgart Ballet, created for Cranko a soaring arrangement of music by Tchaikovsky, not from the opera but drawing principally on his works for piano.
News and features
5 February 2015
These expert dancer-actors are as important to the drama as the leading lady.
5 February 2015
The Royal Ballet dancers discuss the contrasting character of Lensky and the technicality of the role in John Cranko's Onegin.
4 February 2015
The Royal Ballet dancers on John Cranko's masterpiece and the challenges of performing the demanding title role.
30 January 2015
The Royal Ballet Russian Principal discusses the challenge of taking on the complex role of Tatiana.
26 January 2015
Nicol Edmonds to replace Valentino Zucchetti in the role of Lensky.
25 January 2015
What did you think of John Cranko's soaring narrative ballet?