When to see it
These events are part of the Summer 2017 season.
Farnace and Sifare, sons of the mighty warrior Mitridate, both love their father’s fiancée Aspasia. While Sifare is determined to remain loyal to his father, Farnace vows never to yield.
Mitridate discovers that Farnace is preparing to betray him to their enemies, and that Sifare and Aspasia love each other. He swears vengeance on them all, and marches into battle. Sifare and Farnace escape their imprisonment to join him. Mitridate dies from his wounds, finally reconciled with his family.
Mozart was a month shy of his 15th birthday at the premiere of Mitridate, re di Ponto on 26 December 1770. Given his youth, he had to battle some scepticism over his ability to write an opera for the prestigious Milan carnival, and spent the months leading up to the premiere hurriedly writing and rewriting arias to suite his singers’ demands (a practice that would continue even in later life). The premiere’s brilliant success immediately refuted Mozart’s critics, with the opera given a further 21 performances – a remarkable event for the time. Since its rediscovery in the 20th century, Mitridate has been reclaimed by new generations of singers capable of meeting the score’s astonishing demands.
Graham Vick’s 1991 production for The Royal Opera is ‘considered a milestone in the staging of 18th-century opera’ (The Guardian). Vick draws parallels between the stylized form of Baroque opera and the traditions of Japanese and Indian stagecraft – influences echoed in Paul Brown’s stunningly opulent designs.
News and features
19 April 2017
Georgian soprano replaces Anett Fritsch in the role of Sifare.