Most recent performance
There are currently no scheduled performances of Lucia di Lammermoor. It was last on stage 30 October—27 November 2017 as part of the Autumn 2017/18 season.
Lucia’s brother Enrico is horrified to learn she has fallen in love with his sworn enemy Edgardo. He hastily arranges her marriage to his associate Arturo. Edgardo and Lucia privately exchange rings before he leaves to fight in France.
Read more… (Contains spoilers)
Lucia di Lammermoor is Donizetti’s tragic masterpiece. The opera marked the beginning of his partnership with regular collaborator librettist Salvadore Cammarano – who, as was the fashion of the day, looked to Walter Scott. Cammarano’s adaptation of Scott’s novel The Bride of Lammermoor moved Donizetti greatly with its tale of the tragic consequences of a forced marriage. In the subsequent score he produced not only some of his most beautiful but also his most dramatically potent music.
One of the UK’s most sought-after directors, Katie Mitchell created a new production for The Royal Opera in 2015. Mitchell compellingly draws the famous title character as a strong and independent woman who fiercely fights against her brother’s machinations. A spectacular split-screen set designed by Vicki Mortimer metes out the tragic events of Donizetti’s opera with devastating precision.
News and features
24 November 2017
Known for her thought-provoking and highly individual theatre productions, how has director Katie Mitchell shaped The Royal Opera's production of Lucia?
20 November 2017
Lucia’s famous 'mad scene' is just one part of an opera full of spectacular singing, gripping gothic drama and beautiful orchestral music.
3 November 2017
Soprano Lisette Oropesa explores the vocal challenges of Donizetti's tragic masterpiece.
31 October 2017
Audience reactions and press reviews to Katie Mitchell's production of Donizetti's opera.
15 September 2016
From the Queen of the Night to Turandot by way of Norma and Brünnhilde, we round up some of opera’s most devilishly difficult soprano roles.
25 April 2016
What did you think of the live cinema relay of Katie Mitchell's Royal Opera production of Donizetti's tragedy?