Le nozze di Figaro
When to see it
Booking for 16 September 2013 - 15 May 2014 opens
- Booking opens 9 July 2013 at 10.00am for General Public.
- Booking opens 12 June 2013 at 10.00am for Friends of Covent Garden.
- Booking opens 4 June 2013 at 10.00am for Supporting Friends.
- Booking opens 31 May 2013 at 10.00am for Premium 1 Friends.
- Booking opens 30 May 2013 at 10.00am for Premium 2 Friends.
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Pisaroni
- Crowe
- Pokupic
- Maltman
- Evans
- Chausson
- Schneiderman
- Ellicott
- Elliott
- Black
- Bevan
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Esposito
- Tilling
- Bonitatibus
- Finley
- Matthews
- Stamboglis
- McLaughlin
- de Mey
- Robinson
- White
- Bijelic
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Esposito
- Tilling
- Bonitatibus
- Finley
- Matthews
- Stamboglis
- McLaughlin
- de Mey
- Robinson
- White
- Bijelic
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Esposito
- Tilling
- Bonitatibus
- Finley
- Matthews
- Stamboglis
- McLaughlin
- de Mey
- Robinson
- White
- Bijelic
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Esposito
- Tilling
- Bonitatibus
- Finley
- Matthews
- Stamboglis
- McLaughlin
- de Mey
- Robinson
- White
- Bijelic
- Royal Opera Chorus
- Gardiner
- Orchestra of the Royal Opera House
- Esposito
- Tilling
- Bonitatibus
- Finley
- Matthews
- Stamboglis
- McLaughlin
- de Mey
- Robinson
- White
- Bijelic
- Royal Opera Chorus
Introduction
Figaro and Susanna are looking forward to their wedding day, but first they must outwit Figaro’s master Count Almaviva, who seems to have designs on Susanna.
News and features
Conductor change: John Eliot Gardiner to conduct May 2014 performances of Le nozze di Figaro
Conductor replaces the late Colin Davis.
Listen: Paule Constable on the role of a Lighting Designer
The Les Misérables, War Horse and Royal Opera designer puts her own role into the spotlight.
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A look at the plot device of letters in opera.
A glimpse of Mozart's Vienna
We take a look around the locations where the operas were written.
Background
Le nozze di Figaro had its premiere in 1786 at the Burgtheater in Vienna. Lorenzo Da Ponte – with whom Mozart later collaborated on Don Giovanni and Così fan tutte – created the libretto. It was based on Pierre Beaumarchais’ controversial play Le Mariage de Figaro, which was banned in Vienna due to its seditious content.
David McVicar’s acclaimed production sets the action in a French chateau in 1830 on the eve of revolution, amplifying the opera’s undercurrents of class tension. The entire household is drawn into the notoriously complex plot, which covers all shades of human emotion: spirited playfulness, such as when Figaro sends Cherubino off to war in ‘Non so più cosa son’, is combined with heartfelt despair, such as the Countess’s grief at her husband’s infidelity. But affection and fidelity prevail in this most warm-hearted of operas: the Count’s plea for forgiveness in the final act, ‘Condessa, perdono’, is one of the most moving arias in opera.
Credits
| Director | David McVicar |
| Designs | Tanya McCallin |
| Lighting design | Paule Constable |
| Movement Director | Leah Hausman |
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Related links
- en.wikipedia.org Wikipedia: The Marriage of Figaro
- www.telegraph.co.uk The opera novice: The Marriage of Figaro


















