Most recent performance
There are currently no scheduled performances of La Bayadère. It was last on stage 5 April—22 May 2013 as part of the Spring 2012/13 season.
Nikiya, a temple dancer, has secretly sworn her eternal love to the warrior Solor. When she rejects the High Brahmin, he determines to take revenge on Solor. But his actions have terrible consequences.
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Marius Petipa’s exotic La Bayadère was given its premiere at the Bolshoi Theatre in St Petersburg in 1877. It was regularly performed within the former Soviet Union throughout the 20th century but was almost unknown in the West until 1961, when the touring Kirov Ballet performed the famous Kingdom of the Shades scene. Natalia Makarova saw the ballet as a child in Leningrad and created this version for American Ballet Theatre in 1980.
Legendary India provides the setting for a tale of love, murder and vengeful judgement by the gods, set to a lyrical score by Ludwig Minkus. The choreography provides powerful moments for the two opposing ballerinas – the beautiful temple dancer, Nikiya, and her jealous rival, Gamzatti – while a bronze idol comes vividly to life in a stunning solo. La Bayadère’s most frequently performed sequence is the dream-like Kingdom of the Shades, when a mesmerizing procession of ballerinas dance in unison across a moonlit stage. Opulent designs by Yolanda Sonnabend perfectly fit the ballet’s fevered exoticism.
News and features
27 March 2015
Composers and choreographers have long explored the difference in cultures between East and West.
25 November 2014
Much more than just a bit of local colour, national dances were key to the development of ballet throughout the 19th century.
20 November 2014
How and where choreographers find stories has changed throughout the art form's history.
9 April 2013
The American Royal Ballet Principal on the challenges of the role, and working with Natalia Makarova.
6 April 2013
Audience tweets from the opening night of Natalia Makarova's exotic ballet.
19 March 2013
Ballet Mistress Samantha Raine on learning one of the most enduring sequences of classical ballet.