When to see it
Monday 24 November 2014, 6.30pm • Main Stage
- Conducted by Marc Minkowski
- Last perf.
Last few tickets
War hero Idomeneo promises the gods he will sacrifice the first person he sees in return for a safe journey home. That person is his son Idamante.
Read more… (Contains spoilers)
The premiere of Idomeneo on 29 January 1781 came just two days after Mozart's 25th birthday. It was his 13th work for the stage and marks his full maturity as a dramatic composer. The plot moves with breathless immediacy, plunging the characters into extreme emotional states, taking the audience with them. Idomeneo also features some of Mozart's most varied and inventive music, including the heroic regality of Idomeneo's 'Fuor del mar', the tenderness of Ilia and Idamante’s duet ‘S’io non moro a questi accenti’ and the furious vocal acrobatics of Elettra's 'D'Oreste, d'Ajace'.
Austrian Martin Kušej is considered one of the most important directors working today, acclaimed for his dark and incisive productions such as Der fliegende Holländer for Netherlands Opera and La forza del destino for Bavarian State Opera. His creative team includes frequent collaborators set designer Annette Murschetz, costume designer Heide Kastler and lighting designer Reinhard Traub.
News and features
10 November 2014
By turning the screws on his unfortunate characters, director Martin Kušej offers a unique insight into their motivations and crises.
7 November 2014
Following a vocal booing at the opening night of Idomeneo, what do you think of the trend?
4 November 2014
What did you think of Martin Kušej's production of Mozart's early masterpiece?
29 October 2014
The arts have a long tradition of depicting gods but in an age of increased scepticism, depictions of higher powers are more interesting than ever.
28 October 2014
The composer's letters to his father give a lively record of 18th-century life and his own energetic personality.
27 October 2014
The way stories of rulers are told – like that of the Greek king Idomeneus – has changed over the course of history, determined by how society views them.
Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneo, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it might have been Mozart.