When to see it
Sunday 2 November 2014, 3pm | Main Stage
- Conducted by Renato Balsadonna
Jacopo Foscari, son of the Doge of Venice, is convicted of murder and treason. His wife Lucrezia is sure of his innocence. But the Doge, trapped by the machinations of a corrupt city, is forced to make a terrible decision.
Read more… (Contains spoilers)
I due Foscari, Verdi's sixth opera, is one of his darkest and saddest. At its heart is a father's realization that there is nothing he can do to protect his family against the world's cruelties. The 31-year-old composer may well have drawn on his own devastating experience of losing his wife and two infant children a few years earlier. But despite the opera's sombre soul, the music for I due Foscari contains exhilarating forerunners of Verdi's later style – particularly in the fiercely virtuosic writing for the heroine Lucrezia and her magnificent duets with the Doge in Act I and with her doomed husband in Act II.
American director Thaddeus Strassberger, making his Royal Opera debut, depicts a Venice that is rotten to its core. Mattie Ullrich's opulent costume designs reference the opera’s 15th-century setting while suggesting the corruption lurking beneath. The spare sets of award-winning British designer Kevin Knight illustrate the Foscaris' isolation and the decay of the city, before flaring out into grand guignol for the opera's brilliant Act III carnival.
News and features
27 October 2014
What did you think of the live relay of Thaddeus Strassberger's Royal Opera production of Verdi's early tragedy?
27 October 2014
Backstage films from the live relay of I due Foscari, including Antonio Pappano introducing Verdi's music and Plácido Domingo on his transition from tenor to baritone.
21 October 2014
Chorus Director Renato Balsadonna on conducting his first opera at the Royal Opera House.
20 October 2014
Stephen Fry will present the performance, starring Plácido Domingo and conducted by Antonio Pappano.
15 October 2014
What did you think of Thaddeus Strassberger's production of Verdi's early tragedy?
13 October 2014
The Music Director of The Royal Opera on opera in cinemas, the pressure on singers, and his thoughts on concept-led 'Regietheater'.