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Eugene Onegin

Director of The Royal Opera Kasper Holten makes his directorial debut at Covent Garden with a new production of Tchaikovsky’s poignant opera.

Photos

  • Simon Keenlyside as Eugene Onegin and Peter Rose as Prince Gremin in Eugene Onegin © ROH / Bill Cooper 2013
  • Krassimira Stoyanova as Tatyana and Vigdis Hentze Olsen as Young Tatyana in Eugene Onegin © ROH / Bill Cooper 2013
  • The Royal Opera in Eugene Onegin © ROH / Bill Cooper 2013
  • The Royal Opera in Eugene Onegin © ROH / Bill Cooper 2013
  • The Royal Opera in Eugene Onegin © ROH / Bill Cooper 2013
  • Simon Keenlyside as Eugene Onegin and Krassimira Stoyanova as Tatyana in Eugene Onegin © ROH / Bill Cooper 2013
  • Simon Keenlyside as Eugene Onegin and Krassimira Stoyanova as Tatyana in Eugene Onegin © ROH / Bill Cooper 2013
  • Thom Rackett as Young Eugene Onegin and Vigdis Hentze Olsen as Young Tatyana in Eugene Onegin © ROH / Bill Cooper 2013
  • Simon Keenlyside as Eugene Onegin with dancer in Eugene Onegin © ROH / Bill Cooper 2013
  • Krassimira Stoyanova as Tatyana and Diana Montague as Madame Larina in Eugene Onegin © ROH / Bill Cooper 2013

Introduction

When Tatyana is introduced to the dashing, unconventional Onegin, she believes that he is the hero of her dreams. But he carelessly rejects her – with tragic consequences.

News and features

Background

Pyotr Il’yich Tchaikovsky’s best-loved opera is based on Alexander Pushkin’s verse drama of the same name. It provided Tchaikovsky with an opportunity to present everyday and authentic experiences on the stage, in contrast to the epic narratives that characterized much European opera of the time. Eugene Onegin quickly became a firm favourite with Russian audiences. Within a decade of its 1879 premiere it had been performed over one hundred times in St Petersburg.

Tchaikovsky’s deep sympathy for his heroine Tatyana is shown in the tenderness of her music. Her yearning string motif opens the opera and it gains full expression in her letter aria in Act I – one of the most intense solo scenes ever written for the soprano voice. In Kasper Holten’s powerful new production, the turbulence of Tatyana and Onegin’s youth is contrasted with the self-realization they gain in later life. The staging foregrounds the power of memory and the often futile longing to undo past mistakes that comes with experience.

Please note

On 11, 16 and 20 February there will be cameras filming in the auditorium for the Live cinema relay.

On 9 February, Bow Street will be closed to traffic due to building work for this year's BAFTA awards. It will be best to arrive by foot or underground. Disabled parking on Bow Street will also be suspended.

Live cinema season

Eugene Onegin

20 February 2013

Simon Keenlyside, Krassimira Stoyanova and Pavol Breslik
Conductor: Robin Ticciati

Thanks to

Generously supported by

The Monument Trust, in memory of Simon Sainsbury

With additional philanthropic support from

The Artists’ Circle

Production Director generously supported by

Hamish and Sophie Forsyth

How to support the Royal Opera House

Running time

About 2 hours 55 minutes | including 1 interval

Language

Sung in Russian with English surtitles

Credits

DirectorKasper Holten
ComposerPyotr Il'yich Tchaikovsky
Set designsMia Stensgaard
Costume designsKatrina Lindsay
Lighting designWolfgang Göbbel
Video designLeo Warner
AnimationLawrence Watson
ChoreographySigne Fabricius

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