Most recent performance
There are currently no scheduled performances of Eugene Onegin. It was last on stage 4–20 February 2013 as part of the Winter 2012/13 season.
When Tatyana is introduced to the dashing, unconventional Onegin, she believes that he is the hero of her dreams. He coldly rejects her. Bored, he flirts with her sister Olga, outraging Lensky, Olga’s fiancé and Onegin’s only friend.
Read more… (Contains spoilers)
Pyotr Il’yich Tchaikovsky’s best-loved opera, Eugene Onegin, is based on Alexander Pushkin’s verse novel of the same name. It provided Tchaikovsky with an opportunity to present everyday and authentic experiences on the stage, in contrast to the epic narratives that characterized much European opera of the time. After initial consternation that Tchaikovsky should set to music this pinnacle of Russian literature, Eugene Onegin quickly became a firm favourite with Russian audiences. Within a decade of its 1879 premiere it had been performed over one hundred times in St Petersburg.
Tchaikovsky’s deep sympathy for his heroine Tatyana is shown in the tenderness of her music. Her yearning string motif opens the opera and it gains full expression in her letter aria in Act I – one of the most intense solo scenes ever written for the soprano voice. In Kasper Holten’s production, the turbulence of Tatyana and Onegin’s youth is contrasted with the self-realization they gain in later life. The staging foregrounds the power of memory and the futile desire to rewrite the past.
News and features
5 December 2014
Curses, seduction and murder – why are operatic parties always doomed to end in tears?
23 April 2014
Literature has long provided composers with inspiration.
11 February 2014
Does use of digital media in a theatre enhance the experience, or detract from it?
Six productions from The Royal Opera and Royal Ballet now available to download from Digital Theatre11 September 2013
Watch La bohème, Eugene Onegin, Swan Lake and other ROH productions on demand.
4 September 2013
Kasper Holten's production stars Simon Keenlyside and Krassimira Stoyanova.
8 February 2013
Two members of the Artists' Circle tell us how their involvement made watching the production even more rewarding.
Eugene Onegin, Op. 24, (Russian: Евгений Онегин, Yevgény Onégin) is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer and Konstantin Shilovsky, very closely follows certain passages in Alexander Pushkin's novel in verse, retaining much of his poetry. Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky wrote the words for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.Eugene Onegin is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist.