Elektra
A daughter’s grief turns to bloody revenge in Charles Edwards’s production of Strauss’s most daring opera.
Photos
When to see it
Booking for 23 September 2013 - 12 October 2013 opens
- Booking opens 9 July 2013 at 10.00am for General Public.
- Booking opens 12 June 2013 at 10.00am for Friends of Covent Garden.
- Booking opens 4 June 2013 at 10.00am for Supporting Friends.
- Booking opens 31 May 2013 at 10.00am for Premium 1 Friends.
- Booking opens 30 May 2013 at 10.00am for Premium 2 Friends.
- Nelsons
- Orchestra of the Royal Opera House
- Goerke
- Pieczonka
- Schuster
- Paterson
- Daszak
- Burford
- Carby
- Sikora
- Woollett
- Check
- McKrill
- Jones
- Cunningham
- White
- Royal Opera Chorus
- Nelsons
- Orchestra of the Royal Opera House
- Goerke
- Pieczonka
- Schuster
- Paterson
- Daszak
- Burford
- Carby
- Sikora
- Woollett
- Check
- McKrill
- Jones
- Cunningham
- White
- Royal Opera Chorus
- Nelsons
- Orchestra of the Royal Opera House
- Goerke
- Pieczonka
- Schuster
- Paterson
- Daszak
- Burford
- Carby
- Sikora
- Woollett
- Check
- McKrill
- Jones
- Cunningham
- White
- Royal Opera Chorus
- Nelsons
- Orchestra of the Royal Opera House
- Goerke
- Pieczonka
- Schuster
- Paterson
- Daszak
- Burford
- Carby
- Sikora
- Woollett
- Check
- McKrill
- Jones
- Cunningham
- White
- Royal Opera Chorus
- Nelsons
- Orchestra of the Royal Opera House
- Goerke
- Pieczonka
- Schuster
- Paterson
- Daszak
- Burford
- Carby
- Sikora
- Woollett
- Check
- McKrill
- Jones
- Cunningham
- White
- Royal Opera Chorus
- Nelsons
- Orchestra of the Royal Opera House
- Goerke
- Pieczonka
- Schuster
- Paterson
- Daszak
- Burford
- Carby
- Sikora
- Woollett
- Check
- McKrill
- Jones
- Cunningham
- White
- Royal Opera Chorus
Introduction
Klytämnestra has murdered her husband, King Agamemnon. Her daughter Elektra determines to avenge her father’s death.
Background
With the first chords of Elektra, we are plunged into a psychologically intense and violent world. The opera shocked audiences (and even its performers!) when it had its premiere in Dresden in 1909. Today, as then, Elektra’s desperate need to avenge the murder of her father by her mother makes for gripping drama. At 90 minutes, the opera is one of Strauss’s most concentrated works, and in style and instrumentation one of his most modernist scores.
The political and social fractures in early 20th-century Europe, and emerging concepts of psychology, provide a rich subtext in Charles Edwards’s production. The set and costumes allude to Classical and early 20th-century art and architecture, and highlight the moral decay at the heart of Klytämnestra’s kingdom. Strauss’s richly-orchestrated score takes the principal singers to their vocal limits. It is characterized by dramatic musical motifs, including the distinctive ‘Agamemnon’ motif, used to represent Elektra’s obsessive thoughts of revenge. This highly dramatic opera also contains passages of great vocal beauty, including Elektra’s rapturous recognition of her brother Orest, returned to avenge his father.
Running time
About 1 hour 50 minutes | No interval
Language
Sung in German with English surtitles
Credits
| Director | Charles Edwards |
| Set designs | Charles Edwards |
| Costume designs | Brigitte Reiffenstuel |
| Lighting design | Charles Edwards |
| Movement Director | Leah Hausman |
Related links
- www.rohcollections.org.uk Design, costume and photographic collections – Elektra
- en.wikipedia.org Wikipedia: Elektra
- www.guardian.co.uk Elektra: the first Freudian opera?
