Most recent performance
There are currently no scheduled performances of Don Carlo. It was last on stage 4–25 May 2013 as part of the Spring 2012/13 season.
Don Carlos falls in love with Elizabeth, daughter of Henry II of France. But his father, King Philip II of Spain, intends to marry her himself to secure a peace treaty. Can Don Carlos give up his love for the good of the state?
Politics and religion are dangerously entwined in Giuseppe Verdi’s Don Carlo. Based on a 1787 play by Friedrich Schiller, Don Carlo was first performed at the Paris Opéra in 1867. Verdi made extensive revisions to the opera over the following 20 years. This production by Nicholas Hytner follows the five-act 1882 version – Verdi’s final thoughts on the work.
Don Carlo contains a host of vividly drawn characters, depicted through some of Verdi’s most complex music. The chilling Grand Inquisitor imposes his will in thunderous, dark-toned music, while the revolutionary Marquis of Posa sings a stirring duet with Don Carlos in praise of freedom. And in Eboli and Elizabeth, Verdi created two of his most sympathetic heroines. The Royal Opera’s staging provides a powerful backdrop, and conjures up the Renaissance splendour of 16th-century France and Spain.
News and features
14 December 2015
Opera is one of many art forms that loves to dwell on what might have been.
19 November 2015
Composers have long experimented with different ways of giving a sense of community, often using the chorus to highly dramatic effect.
21 May 2015
The composer of La traviata, Macbeth and Otello consolidated and innovated the opera of his time.
22 April 2015
Composers have often looked to the real world for operatic inspiration – though their real-life subjects often undergo some operatization on their way to the stage.
6 March 2014
Some of our favourite examples of the power of the unseen singer.
4 October 2013
Production photos and essential guides to aspects of Verdi’s political thriller.
Don Carlos is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play Don Carlos, Infant von Spanien (Don Carlos, Infante of Spain) by Friedrich Schiller. In addition, it has been noted by David Kimball that the Fontainebleau scene and auto da fé "were the most substantial of several incidents borrowed from a contemporary play on Philip II by Eugène Cormon". Given its premiere at the Salle Le Peletier on 11 March 1867, the opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568), after his betrothed Elisabeth of Valois was married instead to his father Philip II of Spain as part of the peace treaty ending the Italian War of 1551–1559 between the Houses of Habsburg and Valois. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera). When performed in one of its several Italian versions, the opera is generally called Don Carlo. The first Italian version given in Italy was in Bologna in March 1867. Revised again by Verdi, it was given in Naples in November/December 1872. Finally, two other versions were prepared: the first was seen in Milan in January 1884 (in which the four acts were based on some original French text which was then translated). That is now known as the "Milan version", while the second—also sanctioned by the composer—became the "Modena version" and was presented in that city in December 1886. It added the "Fontainebleau" first act to the Milan four-act version. Over the following twenty years, cuts and additions were made to the opera, resulting in a number of versions being available to directors and conductors. No other Verdi opera exists in so many versions. At its full length (including the ballet and the cuts made before the first performance), it contains about four hours of music and is Verdi's longest opera.