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Die Zauberflöte

Magic, comedy and philosophy are blended in Mozart’s delightful opera The Magic Flute, brought vividly to life by David McVicar.

Photos

  • Simon Keenlyside in Die Zauberflöte © ROH/Catherine Ashmore, 2005
  • Ekaterina Siurina as Pamina and Charles Castronovo as Tamino in Die Zauberflöte © ROH / Mike Hoban 2013
  • Susana Gaspar as Papagena and Christopher Maltman as Papageno in Die Zauberflöte © ROH / Mike Hoban 2013
  • Christopher Maltman as Papageno and Susana Gaspar as Papagena in Die Zauberflöte © ROH / Mike Hoban 2013
  • Brindley Sherratt as Sarastro in Die Zauberflöte © ROH / Mike Hoban 2013
  • Hanna Hipp as Second Lady, Christopher Maltman as Papageno, Anita Watson as First Lady and Gaynor Keeble as Third Lady in Die Zauberflöte © ROH / Mike Hoban 2013
  • Jessica Pratt as Queen of the Night and Kate Royal as Pamina in Die Zauberflöte © Mike Hoban/ROH 2011
  • Anna Devin as Papagena and Christopher Maltman as Papageno in Die Zauberflöte © Mike Hoban/ROH 2011
  • Joseph Kaiser as Tamino and artists of The Royal Opera in Die Zauberflöte © Mike Hoban/ROH 2011
  • Artists of The Royal Opera in Die Zauberflöte © Mike Hoban/ROH 2011

Introduction

Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird catcher Papageno, but all is not as it initially seems…

News and features

Background

Mozart wrote Die Zauberflöte (The Magic Flute) for a suburban theatre in Vienna, the Theater auf der Wieden, and drew on the magical spectacle and earthy comedy of popular Viennese theatre. As well as being a comedy, Die Zauberflöte is an expression of Mozart’s most profound spiritual beliefs. Enlightenment concerns with the search for wisdom and virtue are also at the heart of the tale. Die Zauberflöte was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera.

David McVicar’s classic production embraces both the seriousness and comedy of Mozart’s work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzlingly starry skies. The setting provides a wonderful backdrop for Mozart’s kaleidoscopic score, from the Queen of the Night’s coloratura fireworks to Tamino and Pamina’s lyrical love duets and Papageno’s robust, folksong-like arias.

Running time

About 3 hours | Including interval. Part One will last for about 1 hour 10 minutes followed by an interval of 25 minutes. Part Two will last for about 1 hour 30 minutes.

Language

Sung in German with English surtitles

Credits

DirectorDavid McVicar
DesignsJohn Macfarlane
Lighting designsPaule Constable
ChoreographyLeah Hausman

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