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DGV: Danse à grande vitesse

14 May - 26 May 2014 |

Christopher Wheeldon channels the hurtling momentum of Michael Nyman’s music in choreography of thrilling propulsion.

When to see it

Part of a mixed Programme, These works are performed together

Serenade / Sweet Violets / DGV

A mixed programme of exhilarating contrasts, from a dark Victorian melodrama to a celebration of hi-tech modernity.

Booking for 14 May 2014 - 26 May 2014 opens

Serenade / Sweet Violets / DGV: Danse à grande vitesse

Wednesday 14 May 2014, 7.30pm | Main Stage
      Not on sale

      Serenade / Sweet Violets / DGV: Danse à grande vitesse

      Saturday 17 May 2014, 12.00pm | Main Stage
          Not on sale

          Serenade / Sweet Violets / DGV: Danse à grande vitesse

          Wednesday 21 May 2014, 7.30pm | Main Stage
              Not on sale

              Serenade / Sweet Violets / DGV: Danse à grande vitesse

              Saturday 24 May 2014, 7.00pm | Main Stage
                  Not on sale

                  Serenade / Sweet Violets / DGV: Danse à grande vitesse

                  Monday 26 May 2014, 1.30pm | Main Stage
                      Not on sale

                      Serenade / Sweet Violets / DGV: Danse à grande vitesse

                      Monday 26 May 2014, 7.00pm | Main Stage
                          Not on sale

                          Background

                          MGV (Musique à grande vitesse) by Michael Nyman was commissioned by the Festival de Lille to commemorate the inauguration of the TGV high-speed train line in France in 1993. Christopher Wheeldon describes the music as ‘open and full of air’, and in DGV: Danse à grande vitesse he matches its hurtling momentum with equally exhilarating choreography: ‘I wanted to capture that feeling you get when you are travelling – of being suspended in time and space’.

                          The ballet conveys the timeless romance of travel, alongside the wonder of modern technology – a theme reflected in Jean-Marc Puissant’s abstract and dramatic designs. Against sheets of steel that curve upwards at the edges of the stage, the corps de ballet evokes the dynamic rhythms of technology, as well as more organic shapes. Four exquisite pas de deux track the music’s journey through shifting physical and sound landscapes. DGV was created for The Royal Ballet in 2006 and was nominated for an Olivier Award.

                          Credits

                          ChoreographyChristopher Wheeldon
                          ComposerMichael Nyman
                          Set DesignerJean-Marc Puissant
                          Costume DesignerJean-Marc Puissant
                          Lighting DesignerJennifer Tipton

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