Royal Opera House brandmark
Home > Productions > Das Rheingold

Das Rheingold

The first opera in Der Ring des Nibelungen introduces Wagner's vast, mythical world. Keith Warner's rich production combines the epic and the contemporary.

Photos

  • Sarah Connolly as Fricka in Das Rheingold.  © Clive Barda/ROH 2012
  • Bryn Terfel as Wotan  © Clive Barda/ROH 2012
  • Ann Petersen as Freia, Andrew Rees as Froh, Stig Andersen as Loge, Bryn Terfel as Wotan, Iain Paterson as Fasolt and Sarah Connolly as Fricka  © Clive Barda/ROH 2012
  • Bryn Terfel as Wotan in Das Rheingold © Clive Barda/ROH 2004
  • Artists of The Royal Opera in Das Rheingold © Clive Barda/ROH 2004
  • Bryn Terfel as Wotan in Das Rheingold © Clive Barda/ROH 2004
  • Bryn Terfel as Wotan in Das Rheingold © Clive Barda/ROH 2004
  • Gerhard Siegel as Mime in Das Rheingold © Clive Barda/ROH 2004
  • Artists of The Royal Opera in Das Rheingold © Clive Barda/ROH 2004
  • Artists of The Royal Opera in Das Rheingold © Clive Barda/ROH 2004

Introduction

The dwarf Alberich steals the Rhinegold, guarded by the daughters of the Rhine, and forges a ring that brings him infinite power. Wotan, ruler of the gods, plans to seize the dangerous ring – but to what end?

Background

Richard Wagner’s four-opera cycle Der Ring des Nibelungen was both the consummation of German Romantic opera and the beginning of a whole new style of opera-music drama. It lasts over fifteen hours in its entirety and provides an unparalleled musical and dramatic experience. Das Rheingold was conceived as a ‘prelude’ to the cycle. It was first performed in Munich in 1869.

Das Rheingold begins with a musical representation of the river Rhine – envisaged in Keith Warner’s production as a depiction of the Big Bang. The destructive power of the ring is expressed using images from 20th-century science, such as the dwarf Alberich’s nightmarish, underground laboratories. In contrast, the gods are a dying breed: their foppish costumes and mountain-top hall are inspired by the late-Victorian period. Musical highlights include Wotan and Loge’s descent to Nibelheim, accompanied by the resounding sound of 18 anvils, and the gods’ triumphant entrance to Valhalla, which is tragically undercut by the sound of the mournful Rhinedaughters lamenting their lost gold.

The Ring Cycle

This production is part of The Ring Cycle

Thanks to

Originally made possible by

The Dalriada Trust

How to support the Royal Opera House

Running time

About 2 hours 40 minutes | No interval

Language

Sung in German with English surtitles

Credits

DirectorKeith Warner
Set designsStefanos Lazaridis
Costume designsMarie-Jeanne Lecca
Lighting designWolfgang Göbbel
Original Movement DirectorClaire Glaskin
VideoMic Pool
VideoDick Straker
Associate Set DesignerMatthew Deely

Cookies on the Royal Opera House website

The way we handle cookies is changing. If you want to disable non-essential cookies you must now use your browser settings. Read more about why we have made this change and find out how to update your cookie settings. If you continue using the website we'll assume that you are happy for your browser to store cookies set by the Royal Opera House.

Cookies on the Royal Opera House website

We use cookies to ensure that we give you the best experience. If you continue using the website we'll assume that you are happy for your browser to store cookies set by the Royal Opera House. Learn more about our cookie usage and how to change your cookie settings.