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15–16 August 2014
Main Stage

Ratmansky's first full-length ballet, commissioned by the Mariinsky. A contemporary retelling of Perrault's fairytale, set to Prokofiev's score.

When to see it


Cinderella is cruelly treated by her stepmother and stepsisters. But her kindly Fairy Godmother offers an opportunity to escape to a ball at the palace, where Cinderella meets her Prince.

News and features

  1. Alexei Ratmansky: Greatest hits

    4 March 2013

    With the choreographer staging his first work with The Royal Ballet, a look at some of his career highlights so far.


Alexei Ratmansky was just beginning his career as a choreographer when the Mariinsky Ballet commissioned a full-length narrative ballet from him in 2002. The premiere of Cinderella on 5 March 2002 launched Ratmansky onto the world stage. In Cinderella Ratmansky weaves together a magnificent array of different styles, interpreted through virtuoso classical language. The result is a fresh, witty and sardonic account of the classic fairytale, and a brilliant response to the bittersweet elements of Prokofiev's much-loved score.

The contemporary edge of Ratmansky's choreography is confirmed by spectacular designs from Ilya Utkin and Yeveny Monakhov (sets) and Elena Markovskaya (costumes). Together with Ratmansky they create a world where Cinderella, originally created on Diana Vishneva, becomes a lonely dreamer and her stepmother a vicious, tantrum-prone social climber. Ratmansky's innovative choreography – lyrical and grotesque, fantastical and wry – builds to a pas de deux of aching beauty and tenderness between Cinderella and her Prince.