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Ballo della regina

George Balanchine's joyful choreography, set to music by Verdi, is guaranteed to lift the spirits.

Photos

  • Marianela Nuñez and Nehemiah Kish in Ballo Della Regina © Bill Cooper/ROH 2012
  • Nehemiah Kish in Ballo Della Regina © Bill Cooper/ROH 2012
  • Marianela Nuñez and Nehemiah Kish in Ballo Della Regina © Bill Cooper/ROH 2012
  • Marianela Nuñez and Sergei Polunin in Ballo della Regina © Bill Cooper/ROH 2011

Introduction

This non-narrative ballet darts between different moods and tempos to match Verdi's tuneful and varied score.

News and features

Background

George Balanchine choreographed ballets for several Verdi operas at the start of his career, in the 1920s and 1930s. In 1978, he returned to Verdi for one of his final ballets. Balanchine created exhilarating choreography for the ballet music from the original production of Don Carlos. He was inspired by the warmth and bold technique of the ballerina Merrill Ashley, for whom he created the work. Ashley brought Ballo della regina to The Royal Ballet in 2011.

Ballo della regina begins with an entrée for the ballerina and her partner, dressed in white and pale blue, and the corps de ballet. This is followed by an adagio, several virtuosic solo variations and a spirited coda. The lead ballerina's role offers many challenges, with precision leaps and fast-paced, elaborate steps, which gather in intensity as the work progresses. Ashley described it as a combination of strength and delicacy: 'my role is like a powerhouse, but you also have to make it look light, airy, effortless, refined … like fragile cut glass.'

Credits

ChoreographyGeorge Balanchine

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