Most recent performance
There are currently no scheduled performances of Andrea Chénier. It was last on stage 20 January—6 February 2015 as part of the Winter 2014/15 season.
The poet Andrea Chénier attends a party at the Countess di Coigny's mansion. He expresses outrage at the corruption in King Louis XVI's government and the poverty of many Frenchmen. This moves the Countess's daughter Maddalena, and inspires the footman and revolutionary-in-the-making Carlo Gérard to quit his servitude. Soon after, the French Revolution begins.
Read more… (Contains spoilers)
Andrea Chénier was Giordano's third opera. The libretto, by Puccini's regular collaborator Luigi Illica, is loosely based on the life and tragic death of the French poet André Chénier, who was executed during the French Revolution. The premiere of Chénier on 28 March 1896 was a great success, and the opera became one of the most popular examples of the verismo (literally, 'realist') movement in Italian opera.
Giordano perfectly captures the atmosphere of Paris pre- and post-Revolution, through music including an elegant Gavotte (Act I) and the popular revolutionary songs 'La Carmagnole' and the 'Marseillaise'. Not surprisingly, the tenor protagonist gets some fine solos, including Act I's ardent aria 'Un dì, all'azzurro spazio', and Act IV's nostalgic 'Come un bel dì di maggio'. But Maddalena and Gérard also have wonderful arias: the former's impassioned 'La mamma morta', and the latter's tormented 'Nemico della patria?' as he wrestles with his conscience in Act III. David McVicar's spectacular, almost cinematic production evokes the profound social changes in late 18th-century Paris, with beautiful, historically-informed sets and costumes by Robert Jones and Jenny Tiramani.
News and features
19 November 2015
13 May 2015
29 January 2015
29 January 2015
26 January 2015
Umberto Giordano’s Andrea Chénier to be screened live in cinemas across the world on 29 January 2015
22 January 2015
Andrea Chénier is a verismo opera in four acts by the composer Umberto Giordano, set to an Italian libretto by Luigi Illica. It is based loosely on the life of the French poet, André Chénier (1762-1794), who was executed during the French Revolution. The character Carlo Gérard is partly based on Jean-Lambert Tallien, a leader of the Revolution. Andrea Chénier remains popular with audiences, though it is now less frequently performed than it was during the first half of the 20th century. One reason that the opera has stayed in the repertoire is due to the magnificent lyric-dramatic music provided by Giordano for the tenor lead, which gives a talented singer many opportunities to demonstrate his histrionic skill and flaunt his voice. Indeed, Giuseppe Borgatti's triumph in the title part at the first performance immediately propelled him to the front rank of Italian opera singers. Borgatti went on to become Italy's greatest Wagnerian tenor rather than a verismo-opera specialist.