At a garden party on a sunny afternoon, Alice is surprised to see her parents' friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole things get curiouser and curiouser.
Christopher Wheeldon’s Alice’s Adventures in Wonderland arrived on the stage in 2011 with a burst of colour, theatrical magic and inventive choreography. It was The Royal Ballet’s first new full-length work since 1995 and was greeted with delight by audiences. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative sets and costumes draw on puppetry, projections and masks to make Wonderland wonderfully real.
Alice encounters a cast of extraordinary characters, from the highly-strung Queen of Hearts, who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage, to dancing playing cards, a sinuous caterpillar and a tap-dancing Mad Hatter. Alice and the Knave of Hearts dance a tender, loving pas de deux of delicate beauty. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story – a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all created in vivid detail.
The Royal Ballet opens the Autumn Season with Kenneth MacMillan’s masterful Manon. Highlights for The Royal Opera include Plácido Domingo in Verdi’s dark political tragedy I due Foscari and - in a new collaboration with the Roundhouse - Monteverdi’s Orfeo.