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Alice's Adventures in Wonderland

Follow Alice down the rabbit hole into the fantastical world of Wonderland. Christopher Wheeldon’s ballet combines theatrical verve with thrilling choreography.

Photos

  • Beatriz Stix-Brunell as Alice in Alice's Adventures in Wonderland © Bill Cooper/ROH 2012
  • Edward Watson as The White Rabbit in Alice's Adventures in Wonderland  © Johan Persson/ROH 2011
  • Zenaida Yanowsky as the Red Queen in Alice's Adventures in Wonderland  © Johan Persson/ROH 2011
  • Steven McRae as the Mad Hatter in Alice's Adventures in Wonderland  © Johan Persson/ROH 2011
  • Lauren Cuthbertson as Alice in Alice's Adventures in Wonderland  © Johan Persson/ROH 2011
  • Lauren Cuthbertson as Alice in Alice's Adventures in Wonderland  © Johan Persson/ROH 2011
  • Lauren Cuthbertson as Alice, Sergei Polunin as Jack in Alice's Adventures in Wonderland  © Johan Persson/ROH 2011
  • Artists of the Royal Ballet in Alice’s Adventures in Wonderland © Johan Persson/ROH 2011
  • Artists of The Royal Ballet in Alice’s Adventures in Wonderland © Johan Persson/ROH 2011
  • Artists of the Royal Ballet in Alice’s Adventures in Wonderland © Johan Persson/ROH 2011

Introduction

At a garden party on a sunny afternoon, Alice is surprised to see a mysterious white rabbit. When she follows it down a hole, things get curiouser and curiouser…

News and features

Background

Christopher Wheeldon’s Alice’s Adventures in Wonderland arrived on the stage in 2011 with a burst of colour, theatrical magic and inventive choreography. It was The Royal Ballet’s first full-length work since 1995 and was instantly acclaimed as a classic. Joby Talbot’s score combines sweeping melodies, which gesture to ballet scores of the 19th century, with contemporary effects. Bob Crowley’s wildly imaginative sets and costumes draw on puppetry, projections and masks to bring Wonderland to life.

Alice encounters a cast of extraordinary characters down the rabbit hole: from the highly-strung Queen of Hearts, who performs a hilarious rendition of the famous Rose Adagio from The Sleeping Beauty; to dancing playing cards; a sinuous caterpillar and a tap-dancing Mad Hatter. There is a love narrative for Alice and the Knave of Hearts, and they dance a tender pas de deux at the close of Act II. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story – a nightmarish kitchen, an eerily disembodied Cheshire Cat and an unhinged tea party are all created in vivid detail.

Co-production with

National Ballet of Canada

Running times

About 2 hours and 55 minutes including 2 intervals. Act One will last for about 47 minutes followed by a 20 minute interval. Act Two will last for about 29 minutes followed by a 25 minute interval. Act Three will last for about 45 minutes.

Please note

On 21 and 28 March there will be cameras filming in the auditorium.

Credits

ChoreographyChristopher Wheeldon
MusicJoby Talbot
Orchestrated byChristopher Austin
Orchestrated byJoby Talbot
DesignsBob Crowley
ScenarioNicholas Wright
Lighting designNatasha Katz
Projection designJohn Driscoll
Projection designGemma Carrington
Assistant ChoreographerJacquelin Barrett
Ballet MasterChristopher Saunders
Dance NotatorAnna Treviet
Dance NotatorGemma Carrington

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