When to see it
This work is being performed as part of a mixed programme:
The Royal Ballet's mixed programme brings together two of Jerome Robbins's masterpieces with MacMillan's powerful depiction of love and loss.
A male dancer is sleeping in a ballet studio. Languidly he rises and begins to stretch. A girl enters and begins to warm up at the barre. They fall into a trancelike pas de deux – which ends with the boy kissing the girl on the cheek.
Read more… (Contains spoilers)
News and features
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16 May 2014
Balanchine's rival for the title of America's greatest 20th-century choreographer created ballets as well as the musicals West Side Story and Fiddler on the Roof.
31 March 2014
Details of The Royal Ballet's 2014/15 Season have been announced.
Jerome Robbins created his Afternoon of a Faun in 1953, early in his career. He was inspired not only by Debussy's music, and the choreography of Nijinsky's scandalous 1912 ballet, but by the dancers in the rehearsal studio around him: a young man stretching in the sun; two young dancers working on a pas de deux, seemingly unaware of its sexual resonances. The resulting ballet has a truth and poignancy characteristic of Robbins's greatest works, and has become one of his most enduring ballets.
Jean Rosenthal's scenery and lighting design creates a sun-drenched studio. Walls of translucent silk suggest a dreamlike world. The 'fourth wall' becomes a huge mirror – throughout the ballet the protagonists gaze into the audience, obsessed with the image of themselves. An essay on narcissism, an idle dream or a parable of sexual awakening? Robbins's subtle and ambiguous setting lets us decide for ourselves.