American lighting designer Natasha Katz has a strong creative relationship with Christopher Wheeldon, and for The Royal Ballet has collaborated with him on Tryst (2002), Alice’s Adventures in Wonderland (2011) and The Winter’s Tale (2014). She has also worked with The Royal Opera on Cyrano de Bergerac (2006), directed by Francesca Zambello.
Katz trained at Oberlin College amd has gone on to work internationally creating lighting designs in theatre, opera and dance. Her other collaborations with Wheeldon include Continuum (San Francisco Ballet, 2002), Carnival of the Animals and An American in Paris (New York City Ballet, Théâtre du Châtelet and on Broadway) and Swan Lake (Pennsylvania Ballet, 2004). Katz’s other dance work includes American Ballet Theatre’s production of Don Quixote and productions with companies including San Francisco Ballet, Dutch National Ballet and National Ballet of Canada. Katz has worked extensively on Broadway, credits including Long Day’s Journey into Night, An American in Paris, Once, Aida and Coast of Utopia: Salvage (all Tony Award-winners) and The Glass Menagerie, Motown, Hedda Gabler, A Chorus Line, Sweet Smell of Success, Twelfth Night and Beauty and the Beast. Opera work includes two productions of Norma (each starring Joan Sutherland), Cyrano at the Metropolitan Opera, New York, and New York City Opera’s production of Die Soldaten.
Katz’s permanent audio-visual shows include The Masquerade Village at the Rio Casino, Las Vegas, and Big Bang at the Hayden Planetarium in New York.
News and features
Christopher Wheeldon’s ballet adaptation is a true collaborative effort, with spectacular designs from all the creative team coming together to tell the story.
Artistic Associate of The Royal Ballet earns Best Choreography award for An American in Paris, with Bob Crowley, 59 Productions and Natasha Katz also honoured.